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ce and DeBoer set the other moods of Off Duty with an expansive variety of melodic, harmonic and rhythmic textures, beginning with the bubbling bass, sax fills and ambient old school soul atmospheres of “Sandbar” (which builds in intensity to later include a fiery fusion of DeBoer’s electric guitar and Stewart’s sax) and wrapping with the haunting, stormy reflections of “Gare Du Nord” (also concluding with a soaring guitar solo). The cab may be off duty, but the duo never is.
