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Listen in as host Mike Harris interviews Linda Mitchell, one of Contemporary Art Gallery Online' newest Artist Member. After studying at Georgia State University and Berry College, Mitchell attended the University of Georgia, receiving a BFA in 1982. While there she developed a special interest in lithography, and she credits printmaking for spurring her feeling for layering images and textures. Mitchell went on to receive an MFA in painting from the University of Georgia in 1990, and an MFA in sculpture from Georgia State University in 1994. Mitchell’s early work focused on animals in multi-panel paintings, featuring cut-out figures, and other dimensional elements. The paintings focused on fluidly painted four-legged creatures in dramatic situations, emphasizing their human qualities. Mitchell turned to sculptural work using exposed wire armatures to create animals forms. She created disturbing scenarios of stalking and predation with multiple figures, some of which were fleshed out with fabric and black sand.
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Kathryn Maxwell’s print and mixed media works have been exhibited in museums and galleries throughout the U.S. and abroad, including solo exhibitions at the Glasgow (Scotland) Print Studio; Dundee (Scotland) Contemporary Arts; Laredo (Texas) Center for the Arts; University of Tennessee, Knoxville; and Northern Arizona University Museum, Flagstaff. She has participated in group exhibitions at the International Print Center, New York; Melanee Cooper Gallery, Chicago; Detroit Institute of Arts; Tucson Museum of Art; Indianapolis Art Center; Center for Contemporary Arts, University City, Missouri; and American Cultural Center, New Delhi, India. Her prints have been included in the Los Angeles Printmakers Biennial, the Tallinn (Estonia) Triennial, the Boston Printmakers Exhibition, the Bradley National and the Southern Graphics Traveling Exhibitions.
Her work is in numerous public and corporate collections, including the UCLA Grunwald Center for the Graphic Arts; Denver Art Museum; Frans Masereel Centrum, Kasterlee, Belgium; Nelson Atkins Museum, Kansas City; Birmingham Museum of Art; Alabama Power Company; and Phoenix Arts Commission, Phoenix, Arizona.
Kathryn Maxwell received an M.F.A. from the University of Wisconsin, Madison and a B.A. from Northwestern University, Evanston, Illinois. She is currently Associate Director for Academic Affairs and Professor of Printmaking at Arizona State University, Tempe.
Frish received a BFA from the University of Arizona and a MFA from the University of Washington. While in Seattle Scott began an association with Stone Press editions, that lasted over ten years, where he acted as digital technician and associate printer. After working at Seattle University for three years Frish left the Northwest to take a tenured position at West Texas A&M University in Canyon, located just a little south of Amarillo, Texas. He has taught printmaking, computer art and foundations for the last ten years.
In 2010 Frish and his colleagues transplanted Vermillion Edition Limited, a famed print shop formally located in Minneapolis, MN. Now in it’s new home in Amarillo, Scott has spent the last three years publishing and printing for artists such as Jeff Dell, Bill Fick, John Hitchcock, Michael Krueger, John Lysak, Catherine Prose and Jenny Schmid. Frish states that although he is primarily interested in the conversion of digital imagery to analog printmaking, his involvement in the Vermillion project has broadened his focus to include that of offset lithography.
As an artist Frish stays active, exhibiting both regionally and nationally. He is especially looking forward to his upcoming show in September, at Studio dell Arte Grafica Il Bisonte, in Florence, Italy.
Susan Goldman, is Artistic Director/Owner of Lily Press in Rockville, Maryland. Goldman received a National Endowment for the Arts Grant 2011-12, to complete as producer and director “Midwest Matrix, an hour-long documentary videotape/DVD on the fine art printmaking tradition of the American Midwest. Midwest Matrix premiered at The University of Iowa, Iowa City in December 2012, and in March 2013, was shown at SGCI Print Milwaukee. Next stop for the documentary is the Inland Symposium, April 4-5, 2013, at Bradley University in Peoria, IL. Midwest Matrix will be screened in November 2013, in New York City, during Print Week at the Armory and other venues throughout the city, and is sponsored by the International Fine Print Dealers Association Foundation.
Goldman just completed a commission for the Abu Dhabi Nations Towers St. Regis, United Arab Emirates. Her prints were also recently exhibited at Art Basel Miami and at The Old Print Shop in New York City.
Lily Press print projects include artists: Rudy Pozzatti, Eve Stockton, Marti Patchell, Sheila Crider; Preston Sampson, Ellen Hill, EJ Montgomery, Gina Lewis, Mindy Weisel, Renee Stout, Linn Meyers, Miriam Morsel Nathan, Brece Honeycutt, Elizabeth Catlett, Michael Gross and Jo Baer.
She is founder and co-curator since 1993 of the interdisciplinary community arts project, The Art of Work, The Work of Art ©. Goldman is a 2009 recipient of the Arts and Humanities Council of Montgomery County Creative Projects Grant. In 2009, she was Visiting Artist at: SAM Fox School of Design and Visual Arts, Washington University in St. Louis; Indiana University, Bloomington; University of Iowa, Iowa City, and University of Wisconsin, Madison.
Lisa King has completed her debut album The Language of Birds. She calls her group The Hot Place. “A patrolman apprehended the boxer Jack Johnson for speeding through his little town. He fined him $100 on the spot. Jack said, “Here’s a $100 for now and another $100 for later, because when I come back through, I’ll be driving just as fast.” The cop said, “Boy, if you keep acting like that, you’re gonna’ go straight to the Hot Place.” I thought, now that is rock and roll, and that’s what I’m going to name my band.” – Lisa King
Lisa wrote all of the songs on The Language of Birds. Although inseparable from her Mosrite bass guitar, she also played a roster of instruments, some raised from a steamer trunk of vintage guitars and analog synthesizers; others sprang from her wild antique menagerie like the 1920s Marxophone and the calliope-sounding Portatiev.
Lisa may have begun The Language of Birds by herself, but she hopes it feels more like a band called The Hot Place. She co-produced the album with The Swimming Pool Q’s’ Jeff Calder, who also played guitar and contributed his multi-instrumental diversity within the album. The Q’s Robert Schmid played drums. Southern Tracks’ Steven Morrison mixed most of the songs and performed on piano, 12-string and vibes. Mike Lynn, formerly of Betty’s Not A Vitamin, was a contributing guitarist, as well. Lisa King has a degree in Fine Arts from Georgia State University, specializing in cutting-edge printmaking disciplines like non-toxic etching and lithography. She’s been a member of the Atlanta bands Unminded and Threshold, and she’s played keyboards with The Swimming Pool Q’s and Glenn Phillips of the Hampton Grease Band.
"Jonathan Stewart teaches printmaking at Texas Christian University. When he not teaching or printing, he's probably thinking about doing those things while listening to records. His work has recently been included in the 52nd Annual Japan Print Society Exhibition at the Tokyo Metropolitan Art Museum and in the Oso Bay North American Printmaking Exhibition at Texas A & M University. He lives with his wife Stacey in Ft. Worth, Texas."
Artist and art historian living in the beautiful Blue Ridge Mountains of Virginia, Ms. Lantz is an internationally known artist with works in private and public collections in the contiguous 48 states as well as Europe, Australia, and Turkey. She has won numerous awards throughout her career for intaglio printmaking, drawing and painting. She was also included in the Virginia Museum of Fine Art Biennial of Prints and Drawings, the National Juried exhibition at Nelson Gallery, the Lynchburg Academy of Fine Arts Annual National Juried Exhibition," and 'Virginia Celebrates Women in Arts: Minds Wide Open; where she received the 2010 YWCA Women of Achievement Awards for Arts. She has exhibited in many groups shows as well. With over 300 intaglio images, 1000+ drawings and pastels, and who knows how many paintings, she now turns her energies to painting and graphite (not pencils, rather large pieces of pure graphite manipulated into different shapes for her tools). She is also the founder and first curator of the Community Art Collection located at Virginia Western Community College, the largest permanently displayed collection of the artists of Southwestern Virginia. She had to remove and sell her own piece from this collection to defray medical expenses and has since recovered the work, hoping to return it to the collection in the near future. VWCC is where she also taught as a Professor of Studio Art (intaglio printing, silkscreen, lithography, wood block printing, life drawing) and Art History (complete survey of Western Art also developing and teaching Survey of American Art from Pre-Columbian era to the present) until her tragic disability in 1998.
Hosted by Christine Larkin
Our host, Sharon Beth interviews Jim Meskimen who is an accomplished actor, improviser & voice artist whose work has been seen & heard for over 25 years. He is a veteran of hundreds of TV & radio commercials, for major clients, & has appeared in many top TV shows & films, including three that were nominated for Best Picture.
From 1987 - 1992 he was the spokesman for Skaggs Alpha Beta grocery stores for which he improvised commercials that garnered a collection of prestigious advertising awards.
He has appeared on series television in Whose Line is it, Anyway? and in recurring roles on The Fresh Prince of Bel Air, The Parkers and Parks & Recreation.
Jim Meskimen studied theater and art all his early life and graduated from the University of California, Santa Cruz with a Bachelor's Degree in fine art after working extensively in oil painting, drawing & lithography, while also working in the theater. During his years as an art student, he traveled several times to Galicia, Spain to study realist oil painting with the world renowned artist Miguel Arguello, with whom he apprenticed. Returning to the States he worked as a character designer for Rankin/Bass Productions while pursuing his career as an actor, designing characters for the animated TV series Silverhawks and the iconic Thundercats.
As a voice actor, Jim has a long relationship with Jibjab media, creators of the runaway viral hit, This Land, for which Jim provided all of the character voices.
As a director of audiobooks, Jim has completed over 500 hours of multicast audio performances for Galaxy Audio.
Jim Meskimen grew up in a theatrical family; his sister is a writer/producer, his late father was an actor & director, and his mother is Golden Globe and Emmy nominated actress Marion Ross of TV's Happy Days and the critically acclaimed Brooklyn Bridge.
On the November 12th program, I am delighted to speak John Rose of '2-Roses' Fame. 2 Roses is a life long collaboration between Corliss Rose and John Lemieux Rose. Each is a master craftsman in their own right, and together they encompass a formidable range of expertise across a wide range of mediums.
Both are the product of formal artistic training in the U.S and abroad. Curiosity and evolution have been the driving forces of the studio since its inception in 1968. In addition to art jewelry, some of the major mediums the studio produces work for are commercial and industrial design, tool and die making, painting, photography, lithography, sculpture, holography, furniture, fabrics, engineered plastics, leatherwork, ceramics, lapidary and gem cutting.
The studio continues to evolve as the couple's interests shift and cross-pollinate from one medium to another. In 2005 the studio began formally exploring the creative process collaborating with a wide variety of artists and individuals from other disciplines, mediums and industries. For more information see: http://www.2roses.com/index.htm.
Please join us for what will be an informative conversation.
This process was seen to generate a relatively massive amount copies with only one specially created stone. The period of the maps made from this procedure were on a the pad the printed surface was made from. Another drawback is usually that the City & Street Map Prints cannot have all the small print a sophisticated you have. Right after the simple lithographic age was over, the requirement arose to get a more descriptive map. The immediate solution to this predicament arrived in the type of Chromolithography. This process is comparable to lithography but provides for additional detailed results. Map makers made the breakthrough after it absolutely was remarked that it had become very easy to paint for a lithographic image without distorting the caliber of an original. This enabled designers to come up with more refined maps as different stone images may be painted over the other person. This subsequently gave the map more intricate detailing and went quite some distance in ensuring accuracy was achieved. The above mentined examples are certainly laborious and map printers were forced to find ways to cut the job load when executing this important function.
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