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Shawn Rochester discusses how to address the financial costs of conscious and unconscious antiblack discrimination.In his new book The Black Tax: The Cost of being Black in America, Shawn Rochester shows how The Black Tax, creates a massive financial burden on Black American households that dramatically reduces their ability to leave a substantial legacy for future generations. Mr. Rochester lays out an extraordinarily compelling case which documents the enormous financial cost of current and past anti-black discrimination on African American households. The Black Tax, provides the fact pattern, data and evidence to substantiate what African Americans have long experienced and tried to convey to an unbelieving American public.
John Jennings is a Professor of Media and Cultural Studies at the University of California at Riverside. Professor Jennings received his MA in Art Education in 1995 and the MFA in Studio with a focus on Graphic Design in 1997 from UIUC. He is an interdisciplinary scholar who examines the visual culture of race in various media forms including film, illustrated fiction, and comics and graphic novels. Jennings is also a curator, graphic novelist, editor, and design theorist whose research interests include the visual culture of Hip Hop, Afrofuturism and politics, Visual Literacy, Horror and the EthnoGothic, and Speculative Design and its applications to visual rhetoric. Jennings is co-editor of the Eisner Award winning collection The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art (Rutgers) Jennings' current projects include the graphic novel adaptation of Octavia Butler's Kindred (with Damian Duffy), Tony Medina's police brutality themed ghost story I Am Alphonso Jones (with Stacey Robinson), and his Hoodoo Noir graphic novella Blue Hand Mojo (Rosarium Publishing).