The Gingerbread Man  

ESU’NkUyU and/or MONROE E. ELSIE The GINGERBREADMAN SUMMARY: Touch-your-soul multiple personality tragedian/revel poet with a hat fetish. And/or …imagine if you can the entire pantheon of West African Trickster gods possessing a voodoo doll made out of cookie dough with the wings of the Native American Raven attached to his heels baked in the oven of slave ships with the swagger of Bumpy Johnson, running amok through the minds of humanity, sleeping at the crossroads between profanity and the sacred, who aim is to raise Hell and bring down Heaven, chanting, “Run!, Run!, as fast as you can, you can’t enslave me, I BE the GINGERBREADMAN!…” Best describes Esu’Nkuyu and/or Monroe E. Elsie; Gingerbread Man for short. Aspires not to be labeled as a performance artist, but to be viewed as an Informance-Artist. Attempting to rekindle the art of Ancient Storytellers kissed by futurism. Conjuring 4-dimensional personas to create a Theatre of the Absurd. As a Tragedian, he will be recognized for presenting wildly defensive compositions with a shocking amoral “comprehend or be confounded” oration. PRESENTATION: Mental-twist display of concentrated energy. Anti-systematic-banging verbals. Brilliant-exciting style. Esu’Nkuyu and/or Monroe E. Elsie writes to liberate spirits from the patriarchal social structure, this listen-and-listen-once more psychopomp storyteller scorches. This user has not entered a description yet.