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Joshua Davis is a writer, film producer and co-founder of Epic Magazine and Epic Digital. In 2013, Josh and Joshuah Bearman formed EPIC, a magazine devoted to telling extraordinary true stories. The venture comes on the heels of Argo, the Academy Award-winning film, which was based on an article Bearman wrote. Over the past 10 years, Josh and Bearman have sold 20 articles to Hollywood, with 2 films produced. In 2003, Josh covered the Iraq war for Wired Magazine, where he is a Contributing Editor. He has tracked rumors of genetically modified cocaine behind rebel lines in Colombia, investigated the world’s largest diamond heist, and hunted the source of a cyberwar in Russia. Josh's work has thrice been selected "Best of Technology Writing" by Yale University Press and has also been anthologized in the 2007 and 2012 editions of "Best American Science Writing." In 2014, he was nominated for a National Magazine Award. In 2005, Random House published Josh's memoir, "The Underdog," which details his journey through some of the world's most outlandish competitions. The Los Angeles Times calls it "laugh out loud funny," and Entertainment Weekly declares "the rewarding Underdog proves that Davis is a winner at something." His magazine writing has appeared in The New Yorker, Wired, GQ, Outside, Food & Wine, Men’s Journal, Men's Health and Maxim. You can email your questions to firstname.lastname@example.org or follow us on Twitter @123Film
Kyra Panchenko is an award winning make-up artist working in film, fashion and television. Kyra's Hollywood clientele include Naomi Watts, Jodie Foster,Uma Thurman, Amy Adams, Amy Schumer, Leslie Mann and Kristen Wiig. She earned an Emmy nomination in 2012 for her work with Nicole Kidman on HEMINGWAY AND GELLHORN. Her most recent projects include the very anticipated summer release of SEA OF TREES with Naomi Watts directed by Gus Van Sant and AmySchumer's Train Wreck directed by Judd Apatow. Kyra began her career in the fashion industry working on many of the prestigious New York fashion shows for top designers such as Marc Jacobs, Calvin Klein, Michael Kors and Betsey Johnson. Kyra's signature style focuses on bone structure and a natural clean make-up, which has endeared her to some of Hollywood's biggest superstars. For Television, Panchenko created the look for Kim Cattrall as the unforgettable character 'Samantha Jones' in the iconic television series; Sex and the City. This work earned her the Hollywood Make-Up and Hair Stylist Guild Award for Best Contemporary Make-Up as well as an Emmy nomination. Additionally, she was Cattrall’s personal make- up artist for Sex and the City; The Movie, I and II, and The Ghost Writer for director Roman Polanski. Panchenko’s editorial work includes Vanity Fair, Harper's Bazaar, Elle, In Style, and Allure, where she has collaborated with internationally renowned photographers who include Peter Lindbergh, Patrick Demarchelier, Terry Richard and Brigitte Lacombe. You can email your questions to email@example.com or follow us on Twitter @123Film
Norman Buckley is a television director, best known for his work on PRETTY LITTLE LIARS, RIZZOLI AND ISLES, THE FOSTERS, THE MYSTERIES OF LAURA, CHASING LIFE, SWITCHED AT BIRTH, THE OC, CHUCK, and GOSSIP GIRL, among others. Buckley’s first job in the film industry was as assistant editor on the 1983 Oscar-nominated film TENDER MERCIES, which featured his sister, actress Betty Buckley. Buckley continued editing for a number of year on many films, television series, and TV movies. He apprenticed under some of the best film editors in the business, including Carol Littleton, Sam O'Steen, William Anderson, and Bob Leighton. He also worked with many outstanding directors, including Bruce Beresford, Robert Benton, Mike Nichols, Rob Reiner, Michael Lindsay-Hogg, Richard Donner, J.S. Cardone, McG, Doug Liman, and Robert M. Young. He worked as an editor on many independent films at the Sundance, Toronto, and Telluride film festivals, including HAPPY, TEXAS, which he also associate-produced. Beginning in 2000, Buckley edited several television pilots, all of which were picked up to series. He has been nominated twice for an American Cinema Editors award: in 2003 for JOE AND MAX, for best-edited motion picture for non-commercial television, and in 2008 for the pilot of CHUCK, for best-edited one-hour series for commercial television. After editing the pilot episode of THE OC in 2003, he began his directing career by helming six episodes of that series. He has gone on to direct over 25 other television shows since then. Buckley taught for several quarters at the University of California Los Angeles film school to both graduates and undergraduates. You can email your questions to firstname.lastname@example.org or follow us on Twitter @123Film
Michael Mandaville has worked for 25 years as a Producer, line producer, production manager and more. These films include “Taken”, "Taken 2" and “Taken 3” written and produced by Luc Besson, “Havoc” with Anne Hathaway, “The Kiss” with Terence Stamp and Billy Zane, ("American History X" (New Line Cinema) with Edward Norton and Edward Furlong, "Friends of Friends" with Bruce Davison and Sherilynn Fenn, "Blood and Wine" (Jack Nicholson, Director: Bob Rafelson), "Millenium's Child" (Disney/Miramax) with William Windom and Karen Black, "Sensation" with Eric Roberts, Ed Begley Jr., Paul Le Mat and Ron Perlman. "Hail Caesar" with Anthony Michael Hall, Robert Downey, Jr. and Judd Nelson. "Pumpkin Head II" (MPCA) with Ami Dolenz and Steve Kanaly. Michael also produced “The Almighty Fred”, an independent film. He has directed commercials, shorts, a documentary and industrial films. Michael is a bondable line producer with Film Finance. He also worked as a Risk Manager at the Motion Picture Bond Company. Through Transcom Productions, Michael has done Scheduling and Budgeting for clients including Relativity, Intl. Sales Organization, Paramount Pictures, Viacom, Bob Rafelson, Kushner-Locke Company, Mark Damon Worldwide and Europacorp.You can email your questions to email@example.com or follow us on Twitter @123Film
Tim Streeto, ACE is a film and television editor whose recent credits include the Emmy-winning HBO series "Boardwalk Empire,” NBC’s “Crossbones,” and Noah Baumbach's acclaimed feature films “Frances Ha,” "Greenberg,” and the Oscar-nominated “The Squid and the Whale.” His past film credits include Terry Kinney's "Diminished Capacity,” Steve Conrad's "The Promotion,” Craig Zobel's "Great World of Sound” and Robert Pulcini and Shari Springer Berman's "American Splendor.” He also worked as an assistant editor on Ang Lee's Oscar-winning "Crouching Tiger, Hidden Dragon," Todd Solondz's "Storytelling," and Steven Soderbergh's "Solaris," among others, and has edited numerous shorts and shows for Comedy Central, A&E, Starz, Nickolodeon, and the History Channel. He is currently working on the pilot episode of “South of Hell,” a new horror series directed by Eli Roth. You can email your questions to firstname.lastname@example.org or follow us on Twitter @123Film
Austin Monthly magazine named Jo Edna Boldin “the premier casting director of the Southwest”. Jo Edna cast her first TV series “Newscast from the Past” for PBS in 1985. As a Feature Film location casting director for over 20 years, Jo Edna has worked with many renown directors including Gore Verbinski, McG, Albert & Allen Hughes, Carl Franklin, Ron Howard, Jim Sheridan, Alan Parker, Taylor Hackford, Billy Bob Thornton, Ethan and Joel Coen, Tommy Lee Jones, Paul Haggis, Peter Berg, Lasse Hallstrom, Steven Soderbergh, Terence Malik, Mike Judge, Christopher Guest, to name a few.Ms. Boldin won the 2008-2009 Artios award for outstanding casting, Studio Feature, location casting for “No Country for Old Men”. In 2006, Jo Edna was nominated for an Emmy for casting on “Into the West”. Dallas Women in Film awarded Jo Edna the Lifetime achievement award in 2003. Jo Edna was on the founding board of New Mexico Women in Film. Ms.Boldin is a current member of the Casting Society of America, the Academy of Television Arts and Sciences and New Mexico Women in Film. Jo Edna is the recipient 2013 New Mexico Women in Film SAGE award.You can email your questions to email@example.com or follow us on Twitter @123Film
Mark Helfrich, ACE has edited the hit movies X-MEN: THE LAST STAND, FOUR CHRISTMASES, all three RUSH HOUR films, RED DRAGON, THE FAMILY MAN, MONEY TALKS, PREDATOR, RAMBO: FIRST BLOOD PART II, SCARY MOVIE, among many others. He recently edited HERCULES, starring Dwayne Johnson. His feature film editorial credits have earned more than a billion dollars at the box office. A long standing collaboration with director Brett Ratner includes other editorial credits, among them the pilot episode of the Fox series PRISON BREAK, and the award winning music video for Madonna's song, "Beautiful Stranger" from AUSTIN POWERS.
In 2007 Mark made his feature film directorial debut with GOOD LUCK CHUCK. He has also directed episodes of PRISON BREAK and BONES, and several music videos. You can email your questions to firstname.lastname@example.org or follow us on Twitter @123Film
Steven Conrad is the writer of The Pursuit of Happyness, The Weather Man, and The Secret Life of Walter Mitty. In 2008 he wrote and directed The Promotion. His latest films include: Unfinished Business starring Vince Vaughn (out March 6th) and Belushi starring Emile Hirsch (pre-production) which he will be writing/directing.You can email your questions to email@example.com or follow us on Twitter @123F
Born in Sydney, Australia, Ross Emerylearnt his early craft with his documentarymaker father with an early career working on documentary films in Africa, Asia and South America. Early documentary work progressed to feature film work as first an AC then operator on many high profile projects and working with such esteemed International DPs as William Fraker ASC, Darius Wolski ASC and Lazlo Kovacs ASC. A stretch of more Feature films followed but with the elevation to 2nd Unit DP on such notable projects as The Matrix and subsequent Trilogy,Superman Returns and Anna and the King. The natural progression to DP with films such as The Cave and Underworld Rise of the Lycans has seen him being sought out for the films that require a high level of expertise in difficult blends of action, VFX and performance, added to regard in the industry as a DP who is comfortable with the latest changes in technology that the industry has encounted the last few years. His knowledge of these new processors such as 3D and Digital cinematography has seen him as a valuable speaker at seminars such as SMPTE and SPAA. His experience and skill set in shepherding the major action and VFX sequences on these films have not stopped him regarding himself as a storyteller first and foremost with his desire to work with the filmmakers whose regard for the story is paramount. In 2001 he was awarded full accreditation with the Australian Society of Cinematographers a society that has subsequently awarded him a number of awards for his work in feature film and TV Commercials work. You can also see is work on the upcoming Woman In Gold with Helen Mirren. You can email your questions to firstname.lastname@example.org or follow us on Twitter @123Film
2014 Academy Award winner and Hollywood Make-Up Artist and Hairstylist Guild Award Winner Robin Mathews received these honors for the film Dallas Buyers Club in which she showed actors, Matthew McConaughey and Jared Leto, physically progressing through the various stages of dying from AIDS. Mathews had previously worked with McConaughey as the make-up department head on Lee Daniels’ The Paperboy, where she gained international recognition for transforming the actor through use of facial prosthetics and was also praised for a stunning metamorphosis of Nicole Kidman, who earned Golden Globe and Screen Actors Guild Award nominations for her performance.Ms. Mathews most recently teamed again with Dallas Buyers Club director Jean-Mark Valle’ to shoot
the film adaptation of Wild, the bestselling book and true story of author Cheryl Strayed’s trek along the Pacific Crest Trail, starring Reese Witherspoon. Ms. Mathews alternates working as a make-up department head on feature films – both studio and
independent – with assignments as a personal make-up artist for actors. She came to prominence in the film industry courtesy of director Sean Penn, who hired her as his make-up department head on Into the Wild, starring Emile Hirsch and Academy Award nominee Hal Holbrook. Ms. Mathews, a graduate of the American Academy of Dramatic Arts in Los Angeles. However, her aptitude for make-up and her affinity for prosthetics and special make-up effects work led to a career shift. She honed her skills for more than seven years creating over 30 full facial prosthetics daily for Six Flags Magic Mountain’s annual Fright Fest. Work in film and television soon followed, as she expanded her expertise into beauty, grooming, and period detail. You can email your questions to email@example.com or follow us on Twitter @123Film
"Are We Headed Toward a Jobless Future?"
Oxford University research states, that by 2030, almost half of all the jobs, in the U.S., could be automated. Is technology moving so rapidly that many are unaware that their "safe and permanent jobs" are about to disappear? Are we properly educating our future workforce to be prepared for a brave new world where they must compete with computers?
Is the idea of jobs disappearing all around us to automation a reality or myth?
Gray Scott is a futurist, techno-philosopher, speaker, writer and artist. Gray is the founder and CEO of SeriousWonder.com, and a professional member of The World Future Society.
Gray has been featured in and interviewed by the New York Post, Psychology Today, The Star, FOX5 News NY, San Francisco Magazine,The Futurist Magazine , H+ Magazine, IEET, Brighter Brains, Media Disruptus, London Futurists, OracleTalk and The One Way Ticket show.
Gray is a frequent keynote speaker and has spoken at LucidNYC, Connector Con NYC, Transhuman Visions Conference, and The Longevity Conference held recently in Washington DC.
Gray lives in NY and is currently working on his first book about the future of technology.
Since NJ is the Garden State, Jersey Fresh takes on a special meaning for those who choose to buy their fruits and veggies locally. Seasonal abundance can be found at the scores of farmer’s markets throughout the state. What’s that you say? You don’t know where to find the nearest farmer’s market and don’t even know the difference between an acorn squash and a fava bean? And how do I cook rhubarb and what do I do with all those blueberries? Problem solved. Chef and culinary instructor Rachel Weston is on the case. Weston is an award-winning journalist with over 20 years of experience as a writer, editor and multimedia content producer. Her work has been in The Washington Post, The Huffington Post, The Gutsy Gourmet column in The Star-Ledger, NJ.com, and Chow.com among others. In 2008, Rachel followed her passion, attended culinary school, and ultimately worked the line at a fine dining restaurant, and was the founding chef at the first pay-what-you-can community cafe on the East Coast. Rachel’s book is New Jersey Fresh: Four Seasons from Farm to Table. It’s a collection of recipe ideas and tips for over 50 types of locally grown produce available at NJ farmer’s markets. She spotlights several markets and offers insights on fruits and veggies, from bok choy and fava beans to blueberries, corn, tomatoes, and peaches. Rachel takes the guesswork out of buying locally and is committed to teaching home cooks about using local and seasonal foods in their kitchens. “I wanted it to be a guide you could throw in your market bag,” she says. The book includes a listing of over 100 farmer's markets in NJ. After the interview, check After Hours at Jersey Coastal Live for more info.
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