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Michael Frost Beckner "The Screewriter Series" EP 7 Screenwriter on Rex Sikes' Movie Beat. Michael launched his writing career with three record-making “spec” script sales: Texas Lead & Gold, Cutthroat Island, Hunchback of Notre Dame. He's writtern dozens of screenplays, studio rewrites, twenty pilots for commercial and cable networks, numerous episodes for network television, His first original film Sniper spawned three sequels. His big-screen success came with Universal's Spy Games, directed by Tony Scott starring Robert Redford and Brad Pitt. He created, Excutive Producered and wrote the CBS series, The Agency. He began his career as director, Barry Levinson’s Writing Assistant working with the director on Good Morning, Vietnam and Rain Man. From 1997 to 2008, he worked extensively with director, Sydney Pollack, adapting John Le Carre’s The Night Manager and writing two more films and developing two television series. Recent writing credits include: CSI: Crime Scene Investigators, Discovery's Gold Fever, and he is preparing the Spy Game prequel Muir’s Gambit for production and has adapted his novel Berlin Mesa into a 4 hour mini-series for AMC, Beckner is currently working on City of Lies with director Wolfgang Petersen. upcoming Civil War Event Mini-Series To Appomattox. Stay tuned to Rex Sikes Movie Beat for other great archived interviews, cast and crew listings, events, festivals, premieres, and more at http://www.rexsikes.com Visit and subscribe to Rex Sikes' Movie Beat Blog at http://www.RexSikesMovieBeat.me for articles and more about the industry we love and work in.
Carina Schulze is one of the co-founders of Chatrone, LLC with Aaron D. Berger. A native Brazilian from Sao Paulo, she moved to Los Angeles to attend UCLA. Carina began her career in entertainment working for Bridget Johnson Films witch was nominated for Best Picture for AS GOOD AS IT GETS. She honed her development skills while
the company went on to produce JOYRIDE and RIDING IN CARS WITH BOYS. Carina then worked for writer/director John Herzfeld (TWO DAYS IN THE VALLEY, DON KING) while he was in post-production on 15 MINUTES. Carina met Aaron Berger at his management and production company Quattro Media. She began working with premiere artists in the industry. Carina and Aaron founded Chatrone, LLC in April 2007. The company has many projects in various stages of development and production, including JUACAS, a Brazilian series about the
thrilling world of competitive surfing, LIFEGUARD ACADEMY with FremantleMedia, and a TV series based on the Jonathan Lethem novel AMNESIA MOON with Tommy Pallotta (WAKING LIFE and A SCANNER DARKLY).Through Chatrone’s Brazilian office, Carina served as executive producer, head writer, and showrunner on two seasons of GABY ESTRELLA, a Brazilian series on GLOOB. In the feature realm, Carina produced BOOK OF LIFE alongside Aaron Berger and Guillermo Del Toro with Jorge Gutierrez directing. She has recently optioned the rights to THE DEATH OF ARTEMIO CRUZ by the late Carlos Fuentes. You can email your questions to firstname.lastname@example.org or follow us on Twitter @123Film
Sue was born in New York City and graduated from Harvard University with a degree in Visual and Environmental Studies and a minor in East Asian Studies. Over the years she has worked in short form and long form T.V. commercials and both independent and studio film projects. Her design credits for film include Dancing in September for HBO films, Peep World for IFC Films, Shades of Ray for Film Sundance Channel, and most recently The Congress for Drafthouse films. The Congress was selected for the director’s fortnight at the 2013 Cannes Film Festival.Television design credits include a pilot for Greg Daniels and Robert Padnick (The Office) for NBC/Universal and currently the Fox Television comedy Weird Loners for Michael Weithorn (King of Queens, True Colors, Family Ties) and Jake Kasdan (Sex Tape, Bad Teach, The New Girl).As a supervising art director her recent credits include the sequel to the visually groundbreaking film 300-300:Rise of an Empire for Warner Bros. Pictures and the critically acclaimed Gone Girl for director David Fincher and 20 Century Fox Films. You can email your questions to email@example.com or follow us on Twitter @123Film
Nicholas Henderson is an Art Directors' Guild 'Excellence in Production Design' winning feature film art director/set designer and trained architect. Nicholas has worked within the design teams of award winning buildings, four television dramas, 'The Wizarding World of Harry Potter: Diagon Alley' theme park in Orlando, Florida, ten live action features and three animated features within the UK and the United States. Between 2008 and 2010, Nicholas worked on 'Harry Potter & The Deathly Hallows, Parts 1 & 2', (both nominated for the art direction Academy Award) on which he worked as art director for the destruction of Hogwarts alongside three time Academy Award winner Stuart Craig. In addition, Nicholas won the 'Excellence in Production Design' award at the 2012 Art Directors' Guild annual awards for his work on these films. In addition, Nicholas' has designed a Philadelphia project tower block under attack from zombies in Marc Forster's thriller 'World War Z' working alongside Production Designer Nigel Phelps, the bridge interior of the 'Nostromo' spaceship in Ridley Scott's sci-fi 'Prometheus' working alongside Oscar nominated Production Designer Arthur Max, 19th century victorian London interiors in Guy Ritchie's 'Sherlock Holmes: A Game of Shadows' alongside Oscar nominated Production Designer Sarah Greenwood, and a Greek Village in 'Mamma Mia' working alongside Production Designer Maria Djurkovic. Nicholas designs by hand on a drawing board and with Vectorworks CAD for 2D set drawings and with Autodesk Maya for all digital environments.Since 2012, Nicholas has worked as an in-house visual development artist at Dreamworks Animation in San Francisco, California working in the world of animated films. You can email your questions to firstname.lastname@example.org or follow us on Twitter @123Film
Steve Lumley animation career in Sydney at Hanna-Barbera Australia as a layout artist moving quickly to layout supervisor.Bill Hanna (Hanna-Barbera) was very involved in the Sydney studio nurturing the crew making his cartoons for the Saturday Morning slate in the US and after a few seasons and with Bill’s blessing he was made Creative Director and set up a division within the studio to develop and produce long form ‘Specials’ for the US market working parallel with the Saturday Morning crew. He produced and directed several long form programs for the ABC and CBS networks earning a Daytime Emmy nomination. Realizing the needs of the local Corporate and Advertising industries he left H-B and partnered in a studio Moving Ideas to produce Storyboards and Animatics for TV commercials both animation and live action as well as documentaries. After several years in the fast paced Advertising world he was approached and hired to set up Southern Star Animation Studio to produce pre-production material for the US market. During this time he was also instrumental in restructuring studios in Manila, China and Hong Kong. Also, contributing to art/animation curriculums at 2 major colleges in Australia. He was worked extensively at Warner Brothers, Dreamworks and with George Lucas at LucasFilm. You can email your questions to 123filmeasy@gmail.Follow us on Twitter @123Film
David Farley’s career in Feature Post Production began in 1996, when he worked as an assistant to the head of TriStar Pictures post production, Sol Lomita. When TriStar was shuttered, David moved over to Columbia Pictures, where he worked for Russ Paris and Jim Honoré for eight years on over 95 live-action theatrical features. It was an immersive learning experience and in 2006, David got the opportunity to be a post supervisor in a genre in which he had little experience: animation. At Sony Pictures Animation, David was the post supervisor on Surf’s Up (Oscar nominated for Best Animated Movie), Open Season 2, and Cloudy With A Chance Of Meatballs. In 2010, after 14 years at Sony, David left to work on one of the crown jewels of DreamWorks Animation, Shrek, when he post supervised the 2D digital restoration and 3D stereo conversion of Shrek, Shrek 2, and Shrek the Third. Shortly after, David was post supervisor on Puss In Boots (Oscar nominated for Best Animated Movie) and Rise of the Guardians, the latter of which was the first theatrical feature to create both an 11.1 Auro mix as well as a Dolby Atmos mix. Recently, David was post production supervisor on How To Train Your Dragon 2 and is currently working on The Penguins of Madagascar, which is scheduled for
wide release on November 26, 2014. You can email your questions to 123filmeasy@gmail.Follow us on Twitter @123Film
Born in Greece, Evan Spiliotopoulos moved to the United States after high school. Shortly after graduating American University in Washington DC, Evan began pursuing his career as a writer. Since the late 90's, Evan has been a non-stop working Hollywood screenwriter. While employed at Disney for years, Evan wrote on numerous animated movies including: The Lion King 1 1/2, Jungle Book 2, Tarzan 2, and Cinderella III. After his stint in the animated world, Evan made the transition into the live action world. His past assignments have benn WANTED 2, MOBY DICK, AGNES QUILL and THE LAST CALL. Evan wrote the SNOW WHITE AND THE HUNTSMAN drafts that got the project green lit at the studio and attached Chris Hemsworth. He also co-wrote HERCULES which is currently in theaters. Evan is currently writing a live-action version of BEAUTY AND THE BEAST for Disney. Bill Condon is directing. He also wrote YOUNG SHERLOCK HOLMES for Paramount and producers Steven Spielberg and Chris Columbus.He is currently hard at work on The Huntsman starring Charlize Theron and Chris Hemsworh. You can email your questions to 123filmeasy@gmail.Follow us on Twitter @123Film
After graduating in 1990 he studied animation and film at California Institute of the Arts, from 1990-92. His first job in animation was on the film The Pagemaster (1994) for which he was an effects animation assistant. He worked in the same capacity on Cats Don’t Dance (1997) before working as a visual development artist for Brad Bird on his un-produced film Ray Gunn. Since then Lou has continued working as a concept artist and art director on various projects including The Powerpuff Girls and The Iron Giant (1999). He was the production designer of Pixar’s The Incredibles (2004) for which he won an Annie
Award. He worked as a designer and lighting art director on the film Up
(2009). He left Pixar in 2008 and worked at Laika on various film projects.
Lou’s artwork has appeared on the cover of The New Yorker and has been
published in several books including The Art of (Up, The Incredibles and
Monsters, Inc), The Ancient Book of Myth & War and The Ancient Book of
Sex & Science. His work has been exhibited at Nucleus Gallery in Los
Angeles, the MoMA and Gallery Met in New York City. Lou has also acted
in films voicing characters for The Incredibles, Cars (2005) and Ratatouille
(2007). He is currently hard at work on The Little Prince an animation film that in post production and set for release in 2015 featuring the voices of Rachel McAdams, James Franco and Benicio Del Toro.You can email your questions to 123filmeasy@gmail.Follow us on Twitter @123Film
Mr. Bardy built his animation skills in movies and television, concentrating on facial animation. In 2003, he was Facial Animation Supervisor for Jim Henson's Creature Shoppe in London on the movie "Pride" for BBC television, which starred the voices of Kate Winslet, Sean Bean, Helen Mirren and Jim Broadbent and was directed by John Downer who used live-action footage of prides of lions in the wilds of Africa to create scenes for the film. Since 2007, Mr. Bardy has been working in motion capture animation, first with a major Los Angeles-based motion capture service provider, where he worked on many video games, specializing in the wrestling genre on the THQ produced franchise "WWE SmackDown" and numerous of its successors. In 2009, Mr. Bardy joined Sony Computer Entertainment America as Senior Animator on Sony's very successful "MLB - The Show" video game series, which sees a new game produced every year. He continues his work with Sony today. You can email your questions to email@example.com or follow us on Twitter @123Film
Funky beats, a rhythm that will keep you moving and meditating. One of the better CONNECTIONS you're find on the Internet. Donald Grammer cuts, blends, mixes jazz fusion, like no one else. Music is the universal language. When you have a great song on, it can mood you, and entice. Close your eyes and hear new concepts and realisms with notes jumping off the graph. Half notes, quarter notes, hip hop, R&B, fused with jazz and a spectrum of melody you won't forget. Donald Grammer and a little bit of me, Tolliver.
Then on the last Saturday of each month, she will give you something to think about. It's CONVERSATIONS with AMENTI - the Writer. She's is not afraid to let you have it New York style. Talk Talk on any subject she feels she can sink her teeth in. Join her, 347-205-9366. She is raring to debate you, east coast style, but be prepared, you are going to want more of her than just the last SATURDAY of EVERY MONTH - Let her know. 347-205-9366
FanRag Sports Radio presents the Sunday Morning QB every week as part of Pat's Pigskin Podcasts.
Today's Pigskin writer and host @Pat_Whitehurst welcomes fantasy analysts and NFL fans to the program to break down the biggest games of Week 12 while offering in-depth insight. Can the Denver Broncos bounce back? Will the Green Bay Packers hot streak continue? How will Josh Gordon perform in his first game back from suspension?
The panel discusses QB and fantasy rankings during this crucial week to give owners and edge.
Today's Topic: Open discussion
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