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Pictograms, ideograms and logograms
A pictogram or pictograph is a symbol representing a concept, object, activity, place or event by illustration. Pictography is a form of writing whereby ideas are transmitted through drawing.
An ideogram or ideograph is a graphical symbol that represents an idea, rather than a group of letters arranged according to the phonemes of a spoken language, as is done in alphabetic languages.
A logogram, or logograph, is a single grapheme which represents a word or a morpheme (a meaningful unit of language). This stands in contrast to other writing systems, such as alphabets, where each symbol (letter) primarily represents a sound or a combination of sounds.
ALL OF THIS IS
1822, from Gk. demotikos "of or for the common people," from demos"common people," originally "district," from PIE *da-mo- "division,"from base *da- "to divide" (see tide). In contrast to hieratic.Originally of the simpler of two forms of ancient
Egyptian writing; broader sense is from 1831; used of Greek since1927.
as a follow up to part 1 i will be going down the rabbit hole cross referencing african languages with the hieroglyphs and debunking
forms and towns of asar debunked
the doctrine of eternal life debunked
egyptian ideas about god and the gods debunked
list of the gods whose names were recited by the deceased to perfect his spirit soul debunked
the abode of the blessed debunked
the gods of the book of the dead debunked
the principle geographical and mythological places in the book of the dead debunked
the weighing of the heart debunked
funeral ceremonies debunked
the papyrus of ani its date and contents debunked
ani and tutu in the other world debunked
list of hymns and chapters in the papyrus of ani
YOU MUST LEARN
my name is matthew douglas craig since 2007 i have revised the book of the dead twice and now for the third time in my studies and to my knowledge 80% of e a walis budges translations are incorrect and majority of the symbols meanings are incorrect this show will be the beginning of the revising of the ancient egyptian language using african languages to cross reference the medtu neter
i have given myself a very important name mdakonu padamura bs
Join Minister Ju for this special broadcast as he will discuss how the scriptures are actually encoded scientific concepts that were observed eons ago but are being played out to the tee in our reality.
In other words, the hieroglyphs of Egypt are no longer on the walls; they have become animated and have taken the form of what we call humans.
Minister Ju will discuss the Baltimore Riots, Mike Brown, and major Angels and Prophets who appear in these modern day stories.
In the terrifying night of past ages, the sublime and austere Hierophants of the Great Mysteries were the zealous guardians of the Great Arcanum. The great priests had sworn silence, and the Key of the Arch of Science was hidden from the eyes of the people. Sexual Magic was only known and practiced by the great priests. The wisdom of the Serpent is the basis of the Great Mysteries. This was cultivated in theSchools of Mysteries of Egypt, Greece, Rome, India, Persia, Troy, Aztec Mexico, Inca Peru, etc., etc.
Do you not know that your bodies are temples of the Holy Spirit, who is in you, whom you have received from God? You are not your own; 1 Cor 6 19
It was forbidden to disclose the secret ofSexual Magic. This is the Great Arcanum. Those unfortunate ones who divulged the unspeakable secret were condemned to death. They were taken to a paved courtyard, and before an ancient wall covered with crocodile skins and undecipherable hieroglyphs, they were beheaded, their hearts were torn out and their cursed ashes were cast to the four winds.
welcome to the black lotus civilization i hope you can bare with us due to recent events we have had to change abruptly, so we will go into the next topic and will continue with the apion and origenes it will still be important next year as it was this year but think for a second you wont get a broadcast of a life time
me you host emunrakati and co host omo sango will open up the lines and take questions
are topic tonight is what i hold dear to my heart
the debunking of ancient to med evil times to the renassaince to now yes you heard it live emunrakati hates science and tonight you will find out why
Secrets of Ancient America is the real history of the New World and the visitors, from both East and West, who traveled to the Americas long before 1492
• Provides more than 300 photographs and drawings, including Celtic runes in New England, Gaelic inscriptions in Colorado, and Asian symbols in the West
• Reinterprets many archaeological finds, such as the Ohio Serpent Mound
• Reveals Celtic, Hebrew, Roman, early Christian, Templar, Egyptian, Chinese, and Japanese influences in North American artifacts and ruins
As the myth of Columbus “discovering” America falls from the pedestal of established history, we are given the opportunity to discover the real story of the New World and the visitors, from both East and West, who traveled there long before 1492.
Sharing his more than 25 years of research and travel to sites throughout North America, Carl Lehrburger employs epigraphy, archaeology, and archaeoastronomy to reveal extensive evidence for pre-Columbian explorers in ancient America. He provides more than 300 photographs and drawings of sites, relics, and rock art, including Celtic and Norse runes in New England, Phoenician and Hebrew inscriptions in the Midwest, and ancient Shiva linga and Egyptian hieroglyphs in the West. He uncovers the real story of Columbus and his motives for coming to the Americas. He reinterprets many well-known archaeological and astronomical finds, such as the Ohio Serpent Mound, America’s Stonehenge in New Hampshire, and the Crespi Collection in Ecuador.
Carl Lehrburger has studied archaeological and sacred sites in North America, with a focus on ancient Old World peoples in America before Columbus, for more than 25 years. He has published articles in Ancient American magazine. An avid traveler and explorer, he lives in Talent, Oregon.
welcome to the black lotus civilization broadcast live from gardena sunny southern california.
i am your host emunra kati and my co host tonight is the honorable brother from the kameroon omo shongo.
today i will dig into who deciphered the hieroglyphs should we have a hieroglyphic renaissance
why is it we african americans never use nations close to and living on the nile and migrated away from the nile to validate the hieroglyphic language
dr clarke said we do not read enough
well i am saying kemetoligist are promotting incorrect doctrine and misrepresenting the ancient egyptian culture and tradition by agreeing to the dates given by mentho and so fourth without analyzing who said mentho dated the pharoahs
this is it no more shall we use there translations of what the hieroglyphics mean
first 30 minutes we will continue tying e1b1b and e1b1a bantu and luo hap lo groups
going into the language and culture
then we will take questions off air we will continue and go into the translations
enjoy brothers and sister and we will enjoy your presence with us on this evening
Onight walter williams will discusing his books the historical origin of christianity and the historical origin of islam for the first hour and the 2nd hour me emun and omo shongo will discuss the hieroglyphs never being deciphered tonight will be a explosive broadcast with information no other blogtalk show has ever went into depths well enjoy and watch the medtu neter as we know it will now be a african name
You Must Learn
Ancient Chinese Cosmology Points to Earlier Advanced Culture
Building on his extensive research into the sacred symbols and creation myths of the Dogon of Africa and those of ancient Egypt, India, and Tibet, Laird Scranton investigates the myths, symbols, and traditions of prehistoric China, providing further evidence that the cosmology of all ancient cultures arose from a single now-lost source. Scranton explores the fundamental similarities between the language that defined ancient Chinese cosmology and that of other creation traditions, revealing the connections between the phonetic structure of the words, their glyphs, and their use. He demonstrates striking parallels between the earliest systems of writing in China and the hieroglyphs of ancient Egypt. He examines the 8 levels of creation in Taoism and the cosmological origins of Chinese ancestor worship, mythical emperors, the zodiac, the mandala, and the I Ching. He details the fundamental principles of land-use in ancient China in relation to the symbolism of a Buddhist stupa and the Dogon granary, ritual shrines that are also the central symbol of other creation traditions.
Laird Scranton is an independent software designer who has studied ancient myth, language, and cosmology for more than a decade. An authority on Dogon mythology and symbolism, he is the author of The Science of the Dogon, Sacred Symbols of the Dogon, Cosmological Origins of Myth and Symbol, and The Velikovsky Heresies. He lives in Albany, New York.
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