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Bradley Simmons, a native of New York City, began playing Afro-Cuban and African percussion when he was 9 years old. From that point on and through his teenage years, he traveled throughout the City seeking out percussion teachers from Haiti, Cuba and Africa in an effort to enhance his understanding of these rhythmic forms, styles and techniques. Bradley soon became a consistent and sought after Conguero and shekere player for community and religious events including weekend long Bembes, weddings and many other cultural events. Bradley not only developed as a percussionist; he became a knowledge base for that which had preceded him, by the transfer of knowledge through the Afro-Cuban and African oral traditions.
Bradley was soon very busy doing on-Broadway plays including: "Timbuktu" with Eartha Kitt and Melba Moore;
Bradley performed in nightclubs with Eartha Kitt, Gregory and Maurice Hines, Miles Jaye and Oba Babatunde. He has recorded and played with The Fatback Band and with drummer Norman Connors. Bradley has also appeared on Television including the Mike Douglas Show and the Cerebral Palsy Telethon. In 1990 and 1996, Bradley directed his own show at the National Black Arts Festival in Atlanta and in Durham, NC, respectively, called "Cultural Journey: The Elements of Percussion".
Bradley is the former Music Director of the Chuck Davis African-American Dance Ensemble of Durham, NC and has taught throughout the United States; including at the Larocque Bey School of Dance and the Gloria Jackson School of Dance in NYC. He has taught percussion classes and drum clinics at Berkeley School of Music, Boston MA; Texas Southern, Houston, TX; Wichita State University, Wichita, KS and North Carolina State University, Raleigh, NC.
Bradley is a Musical Director at Duke University in Durham, NC, where he teaches West African Music and History
Karina BlackHeart recognized herself as a Witch over 20 years ago. She walked a crooked path alongside local feminist, Gardnerian, Traditional and eclectic Witches as well as neo-pagans, new age spiritualists and indigenous Shamans. Quickly, she made her way to the garden of Starhawk’s Spiral Dance where she tarried awhile until meeting a rare Feri Trad Witch transplanted in East Coast soil in the early 1990′s. While training with him, she danced along The Third Road (TM) and at Ifa bembes, was initiated into Motherhood and, with babes in arms, walked proudly right on through the dark forest until she came to the Feri House. Those guarding the house made little fuss before opening the Gate and inviting her to set up rooms of her own. Those rooms comprise BlackHeart. Imagine candle flame illuminating gypsy tapestries, sumptuous cushions, a banquet of delights, smoking censers filled with potent herbs and resins, sparkling laughter and serious discussion (easily waxing poetic) taking place among people who know who they are and where they belong.
Feri Tradition Witch, founder of the BlackHeart Line of the Anderson Feri Tradition, holder of the Black Wand in Anderson Feri Tradition. Teacher, Writer, Priest, Ritual Artist
Teaches Feri Tradition selectively and raises the bar on the study and practice of Witchcraft through offering Training, Practice + Support through CraftingtheWitch.com