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Terri Lyne Carrington arranged and produced
Natalie Cole’s last recording titled “Come
Sunday,” featured on Carrington’s current CD, The Mosaic Project: LOVE and SOUL, released in August 2015. “Come Sunday” is Duke Ellington’s sacred classic, which was originally made popular by Mahalia Jackson.
Terri initially met Natalie Cole as a teenager
Terri also performed with Ms. Cole on the
The Mosaic Project: LOVE and SOUL presents Carrington leading a rotating cast of superb female instrumentalists and vocalists that includes Oleta Adams, Natalie Cole, Paula Cole, Lalah Hathaway, Chaka Khan, Chanté Moore, Valerie Simpson, Nancy Wilson, Jaguar Wright and Lizz Wright, as well as saxophonist Tia Fuller, trumpeter Ingrid Jensen; bassists Meshell Ndegoecello and Linda Oh; and keyboardists Geri Allen, Patrice Rushen and Rachel Z.
On The Mosaic Project: LOVE and SOUL, Carrington juxtaposes her salute to female artists by paying homage to various male artists who have either influenced her professionally and/or informed her musicality, such as Nick Ashford, George Duke, Duke Ellington, Frank Sinatra, Luther Vandross and Bill Withers. “Whenever I do something that celebrates women, I never want it to feel like it’s something that excludes men,” she explains. “On this record, I consciously wanted to celebrate the various relationships women have with men either through original songs of mine or cover songs by male composers and song writers.” The male presence and perspective on The Mosaic Project: LOVE and SOUL is even more realized by Billy Dee Williams, who contributes insightful spoken-word interludes through the disc.
Meshell 's records, nine to date, have offered lyrical ruminations on race, love, sex, betrayal, God, and power, and she has simultaneously embraced and challenged listeners with her refusal to be pigeon-holed musically or personally.She has been nominated for 10 Grammys.
Meshell was the first woman to be featured on the cover of Bass Player magazine.
Her new album, Weather, cloaks itself in the colours of autumn, full of in-between shades and hues and with a certain mildness to it. The singer has let her feelings carry her along. Meshell has never been scared of sharing her most intimate thoughts in explicit or colourful terms that always come from the heart. As ever, she is true to herself. But Weather’s folk sensibility and pregnant acoustic melodies make this a supremely accessible album.
She is accompanied by Chris Bruce (guitar), Deantoni Parks (drums), Keefus Ciancia (keyboards), Gabe Noel (cello) and guests Jay Bellerose (drums) and Benji Hughes (backing vocals). www.meshell.com
Meshell Ndegeocello was born Michelle Johnson in Berlin, Germany and raised in Washington DC.By the early 90's, she had landed in New York armed with a demo recorded in her bedroom, joined the Black Rock Coalition, and was soon signed to Madonna's label. Her records, 8 to date, have offered lyrical ruminations on race, love, sex, betrayal, God, and power, and she has simultaneously embraced and challenged listeners with her refusal to be pigeon-holed musically or personally. Genre defiant, Meshell has been celebrated for choosing the road less traveled - a winding adventure through her own musical ambitions rather than the industry formulas. Along the way, she has earned diehard fans, critical acclaim, the unfailing respect of fellow players, songwriters and composers, and 10 Grammy award nominations. http://www.meshell.com
Devil’s Halo, Meshell's 8th album and her first for Mercer Street, harkens back to the way records used to be made: no click track or electronic synthetics, with a focus on musicianship and live band energy. Meshell feels that Devil’s Halo represents a return to a place that she truly appreciates, music that is created and performed by people's hands. Produced by Meshell and guitarist Chris Bruce, and influenced by a wide breadth of sounds from The Human League to Wu Tang to Yes, Devil’s Halo displays Meshell's vocals and diversity throughout.
Marla Mase is a writer/performer/producer/singer/songwriter from New York City. She writes songs, plays, monologues, short stories, erotica, blogs, and poems. She is known for her gutsy, sexy, raw performance style and her intelligent lyrics and is regarded by her peers as a true musical pioneer. Her songs, a mix of world beat, spoken word, funk, r&b, punk, soul, and classic rock-n-roll are infused with GLOBAL SOUL, the signature sound of Tomás Doncker, her guitarist, co-writer and producer . She is backed by his band, the Tomás Doncker Band. Marla is also SVP of Marketing/A&R with True Groove Records, a label she runs with Tomás Doncker.
Tomás Doncker As a prime mover on New York’s downtown “No Wave” scene in the early 1980s, Tomás Doncker cut his teeth as a guitarist with such genre-busting groups as James Chance & The Contortions, Defunkt, J. Walter Negro & The Loose Jointz and many more. Eventually he went international, touring and recording in Japan with jazz pianist Masabumi Kikuchi, and producing studio and songwriting sessions with Boosty Collins, Yoko Ono, Reggae vocal group The Itals, and producer Prince Charles Alexander, to name just a few. Since then, Doncker has continued to work with an A-list of iconic artists including Ivan Neville, Bonnie Raitt, Meshell Ndegeocello, Living Colour lead singer Corey Glover, former P-Funk keyboardist Amp Fiddler,Shamekia Copeland,and Pulitzer Prize-winning poet Yusef Komunyakaa. He also frequently collaborates with legendary Producer/Bassist Bill Laswell, and his ongoing "Power Of The Trinity" project was featured on CNN on November 27,2012 (Jimi Hendrix' birthday).His most recent project is "Big Apple Blues",his 2nd collaboration with Pulitzer Prize winning Poet Yusef Komunyakaa.
Sylvia Global returns from Europe and Israel to have a conversation with bassist, singer,song writer, mother, Meshell Ndegeocello. She has been canonized, marginalized and credited with being the "spark of the neo-soul movement." Amabssador of kindnes and leader of peace, Meshell talks about the power of one and turning bitterness into love. Co-host is a Sylvia Global listener, Angela, representing the millennium generation.
Miguel Migs is one of the most respected DJs, producers and label owners in house music; an artist whose influence on the current musical landscape cannot be overlooked. Migs personifies the soul-driven vibe of both the Naked Music and Salted Music Label projects in which he has been involved and, hailing from San Francisco himself, has been influential in cultivating and pioneering the famed ‘West Coast scene’.
Combining the best of the electronic music world with live instrumentation, he has carved out a deep, soulful niche, which carries with him the undying respect of his peers.
Rather than simply packing it full of club-ready tracks, with Dim Division Migs has created an album more focused on the listening experience. Throughout his multi-faceted career, Migs has always created a wide variety of music. Dim Division focuses on the songs, with intimate songwriting and vibrant yet subtle production taking precedent over peak-time dancefloor appeal.
Dim Division is a collection of house and downtempo gems that exemplify the very best aspects of Migs’ production aesthetic: fresh, buoyant and deeply soulful music that lifts the spirit, from the languorous chords of opener ‘I Can Feel It’, through the neon-flecked bounce of ‘Just Fade Away’ to the infectious groove of ‘Heartbeat’.
On Dim Division, Migs has also collaborated with an impressive international selection of artists including the multifaceted Meshell Ndegeocello, UK soul singer Omar, long-time collaborator Lisa Shaw, Andy Allo (who toured with Prince on guitar/vocals) and many more all making remarkable additions to the album.
GODISHEUS is a powerhouse Funk Rock band wildly popular in the D.C. indie music scene. Formed by veteran D.C. hip-hop icon Head-Roc and an all-star lineup of some of the heaviest hitters on the go-go scene— Dwayne ‘Super Bad III’ Lee on guitar (Fayces U Know, Heaven Sent, MVP, Familiar Faces, 3LG), Byron “BJ” Jackson (Rare Essence, MeShell Ndegeocello), and Kenny “Kwick” Gross on drums (Chuck Brown, Lissen Band, Marcus Johnson Project), GODISHEUS is hard at work to define a new live sound rooted in the Funk and Rock.
Head-Roc, who has taken on the stage name Om V for this project, is no stranger to working with a live band. During the mid ’90s, he and Super Bad III (lead guitar) were part of Three Levels of Genius (3LG), a live hip-hop band that proved influential in the region. Om V is quick to point out that GODISHEUS is not
a typical hip-hop band, but rather “the 21st century return of substantive Funk music for the people.”
As we all know, Funk beget Go-Go and Hip-Hop in ways dear to the District. Don’t get it twisted: GODISHEUS is no cover band doing their best Parliament rendition; they are a rare and raw D.C. Funk Rock sound with a message of empowerment for the people delivered by one of D.C.’s MC champions. Over tight arrangements that are equal parts funk, rock and soul, Om V brings the lyrical heat, speaking truth to power with every line, something that has earned him the respect of hip-hop heads, punk rockers, indie rockers, and progressive audiences all over. Powered by Kwick’s impeccable drumming, Super Bad III’s six-string magic, and the low end work of BJ on bass, the GODISHEUS International Funk Train is set to dazzle audiences worldwide!
Howdy Afronerd cititzens! Again, we have a stupendous show lined up for you this Wednesday evening when music industry veteran and Afropunk manager, Jocelyn Cooper stops by Afronerd Radio studios for our second tete a tete. We will undoubtedly discuss the current state of urban alternative music, the commercial music landscape and more importantly, the highly anticipated Afropunk Festival scheduled for August 23rd and 24th at Brooklyn's Commodore Barry Park. This year's lineup includes phenomenal artists such as: Fishbone, Me'Shell Ndegeocello, D'angelo, Sharon Jones and The Dap Kings, Ice T's Body Count, Bad Brains and more! Whew! Folks, this Afronerd broadcast and, of course, THE AFROPUNK FESTIVAL are NOT the events to miss! Call in live at 646-915-9620.
Meshell Nedegeocello's (Mee-shell N-deh-gay-o-chel-o.) records, nine to date, have offered lyrical ruminations on race, love, sex, betrayal, God, and power. She has been nominated for 10 Grammys. Meshell was the first woman to be featured on the cover of Bass Player magazine.
Her music has been featured in a number of film soundtracks including How Stella Got Her Groove Back, Lost & Delirious, Batman & Robin, Love Jones, Love & Basketball, Talk To Me, Tyler Perry's Daddy's Little Girls,The Best Man, Higher Learning, Down in the Delta, The Hurricane, and Soul Men.
Meshell Ndegeocello's new album Pour une âme Souveraine (For a Sovereign Soul), A Dedication to Nina Simone comes out on October 9th. After only ten days in the studios of guitarist Pete Min, this album was born, reflecting Meshell's admiration for the pioneering work of an artist who refused to be owned by genre, industry, or expectation. Guests on the album include Sinead O'Connor, Lizz Wright, Valerie June, Tracy Wannomae, Toshi Reagon and Cody ChesnuTT.
Meshell turns over singing duties to soul singer Cody ChestnuTT in this pared down cover of Nina Simone's "Young, Gifted and Black." Check it out: http://emailunlock.com/girlie-action/meshell-ndegeocello-to-be/widget
For this another this another episode of Naughty Down Advice. I have a special guest who goes by the name of JThick who is a model that has been featured on Pretty Hustlaz weekly model features, Black Men's magazine digital site, WDEP radio's feature model section, HIPHOP Stardom101 digital magazine, and in the spotlight section of Pretty Hustlas ENT. Also I have another guest by the name of Meshell Stylez who is a model, CEO/Founder of Allure Stylez Studio (Pole Instructor), Also she has many hidden talents, also very outspoken, ambitious and dedicated woman willing and ready to prove to the world she can make it in the model industry.
Tonight on Music Monday, we're featuring five EPs from three artists! It's a jam packed two-hour show filled with a lot of awesome independent music. In order, you'll be hearing:
Fitz & The Tantrums - House Of Blues Boston EP Sophia Bastian - Breaking EP Fitz & The Tantrums - House Of Blues Boston EP 2 Me'Shell NdegéOcello - The Article 3 EP Sophia Bastian - Dinner Blues EP It's a ton of music from newer, new, and now-legendary artists. Always support independent artists, & their music.
All this plus NPR news, & the national 3-day forecast. It's not a podcast tonight, but the real deal. We've had a blast mixing this show, & are anxious for you to hear all this great music! (PS The Fitz EPs are LIVE recordings of course, so even more great music for you tonight.)
In 2001, Johnny Popcorn was at its early stages, and for the members it was a place to be creative. Considered as a project outside of the regular music careers, Johnny Popcorn would be the outlet when things got too stressful. Fittingly enough, recording Johnny Popcorn jams seemed to hit the spot. Fast forward to 2011 when Johnny Popcorn offered a unique musical formula—a concoction of highly fueled croons layered with its own views on topics ranging from teenage growing pains, self-gratification, weed, humdrum suburbia, and family values. Initially consisting of two members, Hezekiah and Tone Whitfield, the duo's inspiration and experience is the masterpiece that cements Johnny Popcorn. Vocalist and songwriter, Hezekiah, is no stranger to the music industry with 3 full-length solo albums as a hip-hop artist. Feeling like he was neglecting his Southern Funk/Rock upbringing passed down from his parents from Kentucky and North Carolina, he felt inspired for something new and exciting to develop—ultimately settling in on a new found passion. Bass guitarist and all-around producer, Tone Whitfield a.k.a. Grumpy Smurf, has produced numerous songs for Bilal, Meshell Ndegeocello, Zap Mama, and others. Contrast to Hezekiah’s hip-hop background, Grumpy Smurf has always been a rock purist with an open mind. Today, JOHNNY POPCORN is a crow on a mission. An alter ego that was inspired by Hez and Tone, who would jokingly put down fake names on open mic lists. When the host called out JOHNNY POPCORN, the crowd would chuckle in amusement. “I think we have a name for a band,” says Tone Whitfield. If it’s riff-heavy, rolls off the tongue and is more filling, then it’s Johnny Popcorn.
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