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Do you have to be high in order to laugh here? No, but for a whole lot of this movie it sure feels that way. It’s really too bad MacFarlane relies so much on the weed breaks he slots so often in this movie. Not only do they slow the fun, they feel repetitive and lazy. And, as we have seen in so much of his work, when MacFarlane tries, he really can deliver some very funny and, as is his signature, topically targeted stuff.
Proving it’s not just looks, but heart, the effectively packaged but very uneven entertainment delivers a few things that are just darn irresistible. There is certainly a whole lot of dry humping, which stands in for choreography. But even if watching that isn’t your cup of tea, you will undoubtedly enjoy the real charm all the guys bring, especially Channing Tatum whose always watchable and slyly eloquent work makes this Mike magical indeed.
Don’t sweat it if you’re running a little late for the screening you bought tickets for. Not much happens in this chapter’s first hour or so. And then all hell breaks loose, delivering exactly what you bought those tickets to see.
Boys will be boys. You were expecting Shakespeare, maybe? Melissa McCarthy in the role she and we have been waiting for.
Clooney's Tomorrowland soars or sputters? Here's my review.
It may not be well, you know, perfect, but this harmonious sequel still sings.
Host Cyrus Webb welcomes Brenda Michaels and Marsha Merchant to #ConversationsLIVE to discuss the response to the book THE GIFT OF CANCER and how attitude and perception have contributed to healing.
There’s no real way to prepare yourself for the flat out marvel of Inside Out, the Pixar release that not only revives the studio’s legacy, but the whole concept of family entertainment. Yes, this gorgeously animated story is based on the lives of the innermost emotions of an 11 year old girl, but its keen perceptions, astonishing concept and goofy humor make this a movie that will dazzle viewers of any age.
When you see Joanna Pascale's website, you'll see the quote from her regarding her new project. She says, "Wildflowers grow unter the most unlikely circumstances. You'll find them in the most unlikely places. From the beginning, that's how my journey has been."
Joanna Pascale IS a "Wildflower." Strong and resilient, unexpectedly beautiful and unique. Her presence in the world of Jazz is appreciated - this writer speaks for many. She LOVES the music, is grateful for the Masters and Mistresses that came before her, and dearly craves to bring those voices from the past to YOU - in her OWN voice :) And what a gift that is!
When Joanna was attending Philadelphia's High School for the Creative and Performing Arts, a fellow student and friend was Bilal. He joins her on "Wildflower", as does someone who has known her for equally as long. That's the well-respected pianist - and producer for this album - Orrin Evans. Who else is on this spectacular effort is enough to make your ears burn until the end of 2015! Let's just say The BEST of the Best.
The new work from Joanna comes at a time when a successful ten-year run at Philly's Loew's Hotel was coming to an end. Sad as it was for all concerned, it gave our guest wings. She was ready to get involved in HER music, having blessed other artists with her vocals on THEIRS. She still has her day job at her alma mater, Temple University, and she reaches hundreds of students each year with her teaching abilities. But this is where Joanna shines in a particular way. She won't touch a song unless she feels it. When she soaks her soul into the meaning of a classic, it's like you never heard the song before NOW. This Lady Was Born To Sing.
Join Joanna and me on 5/5 - your ears will thank you!
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