SORT BY Relevancy
Profusely creative, highly energetic, sensitive and yet dynamic are a few words that describe the artistry of this extraordinary bassist. John Dillard embarks upon his journey, setting his pace on his first album as a solo artist, “Lets Ride.” “Lets Ride” is a project of passion, longsuffering, and perseverance. Its smooth, funk-groovy feeling will have you relaxed or wanting to ride with the top down with the wind lowing through your hair.
Follow John Dillard on Facebook, Twitter and Instagram.
One of the most stylish and creative lead bassists of this wonderful time in C-jazz is the rising star Julian Vaughn whose fluid bass runs and compositions always seem to hit that special nerve in you that’s reserved for the smooth groove. Here on his latest released,Limitless, he continues to serve it up in abundance.
Bringing in a few luminaries from his Trippin N Rhythm/Cutmore Records family (saxmen Lebron and Darren Rahn, keyboardist Nicholas Cole, and flutist Althea Rene) along with saxmen Marcus Anderson and Elan Trotman, the bassist loads up with heavy grooves and romantic seductions.
The up-tempo but easy ridin’ lead track “Ride Along” firmly complements tracks like the energetic “Initiate” and calls a cool timeout for the fluid entrance of the more laid back romance-laden offering “All to Myself” and the mid-tempo R&Bish “Ecstacy.”
Vaughn’s wonderful tribute to the late great Wayman Tisdale shows how much of an impact the jovial and greatly talented Tisdale had on Vaughan.
We all love a great up-tempo jam, and Vaughn certainly offers his share here, but his skill with crafting slow- to mid-tempo tracks with tons of melody like the previously mentioned “All to Myself,” “I Will,” and “Say Yes” is equally as powerful and full of charm.
Here is a bassist who is doing it the right way…feeling the genre and the groove and how it moves him and his music to always strive for excellence. As the album title could imply, his potential is truly Limitless. – Ronald Jackson, The Smooth Jazz Ride.
Masterfully “Cool”: An album unlike any other by
Bob James and Nathan East
“The New Cool,” an expansive acoustic offering centered on scholarly jazz piano and bass duets, will be released September 18, a first from the GRAMMY®-honored artists and long-time collaborators.
Nashville, Tennessee (7 July 2015): Albums just aren’t made like the way “The New Cool” was made. Yamaha Entertainment Group label president Chris Gero put legendary keyboardist Bob James and master bassist Nathan East in the recording studio, equipped them with state-of-the-art Yamaha gear and gave them free reign to create. Recorded entirely in Nashville, the long-time collaborators emerged with an unexpected and audacious collection of original compositions plus a few handpicked classics, an acoustic jazz outing that will make you forget everything you thought you knew about these GRAMMY®-recognized artists best known as contemporary jazz luminaries. The disc produced by Gero, James and East will be released September 18.
“The New Cool” unfolds much in the way the meticulously-crafted project was conceived. The germ begins organically with a couple of intimate James and East duets. Pastoral piano wanderings explore the outer perimeter of straight-ahead jazz where they peruse, mirror and engage with meandering bass lines. In fact, more than half of the record’s compositions written by James and/or East are sparsely-produced, probing piano and bass sojourns.
Profusely talented and highly gifted.Born and raised in Rochester, NY, John was surrounded by music that helped shape his particular style of playing. John credits his early influences to his father. John’s musical journey started when he was eight years old. John gives credit to other heavy influences aside from family members such as Jaco Pastorius, Marcus Miller, Dave Holland, Ron Carter, John Patitucci, Nathan East, Fred Hammond, and Joel Smith. They drove his growth, resulting in a deeper love and dedication to the art of being a bassist. When asked about his greatest influences, John’s response is always: “Too many to name and enough to keep me humble and always practicing.”
Whether John is playing electric, acoustic (upright) bass, or key bass, John can be found holding the groove on local stages in Charlotte, NC, his hometown, or performing on main stages across the country with national recording artists. In his career thus far, he has worked with gospel artist Lejuene Thompson, musical director for Grammy Award-winning singer and actress Stephanie Mills, contemporary jazz artists Brian Simpson, Matt Marshak, Jeff Kashiwa, Steve Cole, Walter Beasley, Nick Colionne, Marc Antoine, and Four80East. Additionally, John has earned Grammy certifications for his performances on EMI gospel projects “Oh Happy Day,” an All-Star Celebration (Best Traditional Gospel Album) and Heather Headley’s “Audience of One” (Best Contemporary R&B Gospel Album.) They were both won at the 52nd Annual Grammy Awards.
Host Deardra Shuler talks with bassist Carlos Henriquez who w/special guest Bobby Allende and Marc Quinones open Jazz at Lincoln Center Orchestra with Wynthon Marsalis (JALC) 2015-16 season entitled Carlos Henriquez Back In the Bronx premiering on Saturday, 9/12 at 8:00 p.m. at Lehman Center for the Performing Arts in the Bronx.
Henriquez debuts his new compositions and arrangements by the Jazz at Lincoln Center Orchestra with Wynton Marsalis premiering selections from The Bronx Pyramid CD to be released 9/18. The Bronx-born, Nuyorican bassist is one of the truly bilingual musicians equally virtuosic with the language of jazz and the Afro-Latin tradition. At age 14, he performed at People’s Park with Latin jazz greats like Tito Puente, Eddie Palmieri, and Celia Cruz. A music director for countless performances, Henriquez presents music that shows the breadth of his technical and stylistic dexterity, wherein his compositions and most notable arrangements will be front and center.
Themed ‘Jazz and American Song’, (JALC)’s 28th season celebrates the music of the stage and silver screen and uplifts jazz’s emerging voices through an impressive array of more than 80 concerts and programs, anchored by the exceptional Jazz at Lincoln Center Orchestra with Wynton Marsalis. Tickets can be purchased through jazz.org 24 hours a day or via CenterCharge at 212-721-6500,or at the JALC Box Office, located on Broadway at 60th Street, ground floor.
With the release of his first solo CD effort, ‘Soul Searching’, and single ‘Genesis’, an instrumental jazz/funk fusion collection that interweaves music inspired by his much admired influences, Mitchell Coleman Jr has fulfilled a lifelong dream of creating the music he hears in his heart and feels in his soul – and sharing it with the world.
The disc, independently released on his own Soul Revelation label , features some of L.A.’s funkiest players: his long-time collaborator and ‘Soul Searching’ co-producer, Hollywood (pulling triple-duty on piano and vocals), Deron Johnson (formerly with Miles Davis) is also on keyboards, Kayta Matsuno and Sean Fabian are on guitar, Tim Anderson and Sal Avila are on saxophones, while industry veterans and sisters, Pam and Joyce Vincent (formerly of Tony Orlando and Dawn) and Jim Gilstrap (the ‘Good Times’ TV show theme song singer) perform background vocals along with newcomers Sean Thomas and Nodesha.
This Week on "TheMusicBox" with National Recording Artist Tanya Dallas-Lewis! Meet Celebrity Bass Player Mark A. Walker!!!
This well respected live/session bassist and founder of MPM Productions, has played for the likes of super celebrity recording artists and producers all over the world [including Lalah Hathaway, Will Downing, Yolanda Adams, Gerald Albright, and so many more] is gracing "The Music Box!" and I can't wait! Yes--a LIVE radio interview! Is that totalleee awe-sum or WHAT? I love musicians [mostly because I am one!], especially ones who respect and cherish the artform and recognize the Giver of their gifts! Wait until you meet MARK A. WALKER!!
Plus, [as always--like, FOR REAL-FOR REAL!] the BEST in gospel music by artists that you ACTUALLY know [wowsa!], news, interviews, updates, how-to's and so much more!
I'm going to be eating some LEFT OVER EASTER CANDY [yep--still got some left! Not sharing, either!!!] and sipping on a frozen lemonade fruit smoothie! ;0) Meet me at 8pm...OR ELSE!!! lolololol
-Tanya, Stellar/Dove Nominated Recording Artist
EPISODE SPONSORS: POPW INC., BAPMINISTRIESRADIO.COM, AGAPE MULTIMEDIA INC., PO'MAN MEALS, HGS RADIO
Join us as if we feature one amazing bassist taking his music to what I thought to be impossible to do and take his new release to an all new level...Michael Manson's latest release "Thumpin" is one of, if not the best release of the summer!! Here is what some have to say!!...
If you like "LIVE" music albums, you'll love this set. It's rockin' from the first to the last song. MM and his band are some of the most talented smooth jazz artists that I've ever experienced. Khari Parker on the drums is the man. He's sets a strong groove and everybody else just lays in the "cut" so to speak. Your head and feet will move the entire concert. That's what it feels like on a good stereo or surround setup. You won't be disappointed. The recording quality is top notch and you can hear ALL of the musicians and background singers. Just Superb. W. Harrison- Fan
"One of Smooth Jazz's most creative and explosive bassists, Chicago-based Michael Manson has put out some great studio discs - but nothing tops the wild abandon and all-out joy of his live performances. So it's exciting that he's giving us his unfiltered, hard groovin' best on THUMPIN' LIVE, a 16-track set CD/DVD of the multi-talented artist at his best. In addition to expansive romps through his popular tunes like "Outer Drive," key tracks include the soulful, swaying "Just One Touch" and the brassy, heavy bottom way out rockin' funk of "The Bottom Line," fashioned as a tribute to his late hero George Duke, whom Manson first played with on Kirk Whalum's "The Gospel According To Jazz" in 1997. Nobody does THUMPIN' LIVE better than Manson!" ~JONATHAN WIDRAN Smooth Jazz.com
in Rock Music
Tonight Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes the LA Based Psychedelic R&B Band, Hipnotics to the show!
Hipnotics are an up-and-coming, and I mean rocketing to the moon, experimental psychedelic rock band from Los Angeles. Heavily influenced by the cosmic sounds of the late 60’s, the band consists of five music-savvy individuals: Lead Guitar/Vocalist - Matt Ernst, Bassist - Sean Conway, Drummer - Josh Apple, Guitarist/Keys - Zach “Binxy” Apple, and last but not least, Flautist/Saxophone - Zach “RoseGold” Rose - the newest addition to the band.
Most have known each other for over eight fruitful years. Together they’ve developed a unique style of vocal sampling and sound wave manipulation that combines their R&B, Rock n’ Roll and psychedelic influences.
LaFamos PR & Branding
Sgt Cory Ryan Huskey. I was born in Portland Oregon. I joined the army in 2010 at 19 years old as a combat medic. I was stationed at fort hood where I deployed to Iraq with 2-82 field artillery, 1st CAV in 2011. I went to flight medic school in 2012 and upon completion I was assigned to C CO (DUSTOFF )3-2 GSAB in South Korea. I flew for them as a flight crew medical officer for a little over two years until I was diagnosed with epilepsy and sent back stateside for a medical evaluation board. Currently, I am assigned to the warrior transition unit at joint base lewis-mcchord where I am receiving medical care and legal assistance as I transition out of the army. I am married to my wife l, Rebecca and we currently have no children (just two very large dogs).
Bridgette McHale, is a graduate of Eastman School of Music - University of Rochester,NY. She became a member of the World Tae Kwon Do Federation & earned a brown belt with high honors. She then enlisted in the US Marine Corps to serve her country. After graduating as the 2nd highest in her platoon with an award for expert marksmanship from Parris Island, & attending the Armed Forces School of Music to learn electric bass. Bridgette became the first female Bassist (string & electric) in Marine Corps history to serve.During this time, she obtained many awards and honors for conduct, knowledge, expert weapons handling (M16-A2 Service Rifle)and Marine Combat Training (MCT). She quickly advanced ranks to Sergeant of Marines. After sustaining TFCC ligament tears, DeQuervain injuries in her wrists and hand Bridgette's musical career ended. Undeterred, and after being encouraged to get into Voice Over and Film/Television. Bridgette took voice-over and commercial acting classes with Dru Scott, professional Voice-Over Actress and studied privately with Larry Goodman. Bridgette has since published two children's books available on Amazon.
Rob Tardik — Moments
Nov. 2, 2015
Since the very early 2000s, guitarist Rob Tardik has been dazzling listeners with his exciting and often exotic mix of substantive c-jazz/R&B/rock and burning hot Latin melodies. With tunes so attractive, they are by nature riveting, seductive, uplifting, and powerful.Such is the case with his latest release Moments, another eclectic gem.
Seizing the moment and leading off with a Latin scorcher, “Sip and Salsa,” inspired by his fiancé’s love of dance, the gifted guitarist soars from one mood to another. Examples would be track two’s sizzler jazz/rocker “Rite of Passage,” then on to the romantic R&B deliciousness of “Moments in Time” featuring the silky lead vocals of one Aiden Castillo and sweet backing harmonies of vocalists Dee and Brittani Cole, and the handsome downtempo Latin-tinged “Eros.” Definitely not applying the brakes on the project yet, Tardik treats us to a stinger with a mean hook called “Hang Time” which is co-written by fellow guitarist Steve Oliver (who is featured in some way or other throughout the album). In fact, Oliver co-produced the album with Tardik. A very cool pairing indeed.
Tardik enjoys the contributions of other very fine notable musicians here, as well, including saxmen Will Donato and Walle Larsson, trumpeter Gabriel Mark Hasselbach, bassist Gary Grainger (of Acoustic Alchemy fame), pianist/keyboardist Nate Harasim, and a host of others who felt the groove and wanted in.
Speaking of feeling the groove, you will definitely want to stop by and check out the blazing funkster called “Stop!,” a command you may have trouble obeying on the dance floor. Whew. Is there a fire extinguisher in the house?
See full review on www.thesmoothjazzride.com/cdreviews
Join Host Live Chats
- Black Whole Radio (1 chatters)