Our Terms of Use and Privacy Policy have changed. We think you'll like them better this way.

  • 00:46

    2014 Winners - Best Art Fairs in America!

    in Business

    ArtFairCalendar.com has just finished its 2nd annual "America's Best Art Fairs" survey and we announce the winners. This is the only national online survey of the country's juried art fairs and craft shows, designed to reward the festivals that create opportunities connecting artists and communities to celebrate the arts.

    We asked our mailing list of over 50,000 art fair patrons what was the best art fair in the country and had an amazing nationwide response. Nearly 90% of the respondents completed the lengthy 20 question survey and the answers were both expected and intriguing. 

    Not surprisingly: people love to attend art fairs and many travel long distances to do so. The overall conclusion is: Art is Alive and Well in America and attendance at the nation's shows is proof of that.

    Listen to find out what the Top 50 shows in the country are as voted on by the people who attend them and collect art. Find out which they have chosen as the best regional fairs, best urban fair, best small market show and the best cities for art fairs.

    We'll share the survey answers on:

    what makes a show "Best"
    why people say they attend an art fair
    how art fair goers find out about shows to attend
    why they don't attend shows they used to love
    how far they travel to art fairs
    their suggestions for show organizers

    Laura Berarducci from the Ann Arbor Convention & Visitors Bureau also reports on the economic impact of the Ann Arbor Art Fairs in that community. 

    The mission of ArtFairCalendar.com is to promote the unique American tradition of art fairs by showcasing the events where art collectors find hand-crafted, one-of-a-kind fine work for sale and encourage the interaction of client and creator. 

  • 01:00

    Artists, Art Fairs & ZAPP®

    in Art

    Most artists have made their peace with the digital upload systems, www.Zapplication.org, www.JuriedArtServices.com and www.EntryThingy.com. If you want to participate in the better shows you sign up and upload your images for the jury. 
    But how did this get started and what is the relationship of the individual artist or individual art fair with these systems?
    Here are our experts:
    photographer Larry Oliverson who was instrumental in introducing the concept of online applications to the art fair business by bringing artists, art fairs and Westaf (the agency which provides ZAPP) together   painter Kathleen Eaton who is an artist member of the ZAPP Oversight Committee and is writing a book about the history of art fairs   Leah Charney, Manager of ZAPP®,  oversees the ZAPP product and the 350+ clients, 570+ events and more than 60,000 active artists that use the system These guests have a long history with the organization and can provide both historical data as well as current operating information.
    We'll discuss the myths and truths about:
    how ZAPP has changed the art fair business ZAPP's relationship with the shows best practices on preparing your application and making digital systems work for you what an "artist advisor" does ZAPP is going to be around for a long time and understanding its processes and using it to its fullest is advantageous to everyone in the art fair business. 
    Call into the show: (805) 243-1338.

  • 01:00

    How to Bring Buyers to the Art Fairs

    in Art

    What can an art fair do to bring serious buyers to attend their events to buy art?  
    Our guests today are from two of the top rated shows in the country. Tne La Quinta Arts Festival is a large festival held in an affluent area in California. Art on the Square is in Belleville, Illinois, a small town near St. Louis with nearly the opposite demographics, yet both shows excel at bringing collectors to their events and their sales figures are "above average."
    How do they do it?
    The guests are:
    Christi Salamone, Executive Director, La Quinta Arts Festival, La Quinta, CA  Kathleen Hughes, Events Manager, La Quinta Arts Festival Patty Gregory, Director, Art on ths Square, Belleville, IL Anyone who has ever run an art fair, or thought they wanted to run an art fair, will learn a lot from these experienced guests. Do you want lots of applications to your show? The most important thing an event can do is bring in those committed buyers.

  • 01:05

    How Art Fairs Choose and Run Their Juries

    in Art

    In a business full of taking chances the first big challenge an artist has is to make the jury cut at the shows. After all, if you can't get into the show you aren't in business. I'll be speaking with
    Mo Riley, Executive Director of the Ann Arbor Street Art Fair: Mo came to the Ann Arbor Street Art Fair (the original one) about 3 years ago from the Detroit Festival of the arts. She inherited a complex jury system that has over a dozen jurors from various media who attend on consecutive days, breaking the jurying down into small pieces. Lyn Sedlak-Ford, Board Member Art in the Pearl, Portland, OR: one of a group of 14 artists who started this show 17 years ago. There are 3 left of the original group. We'll talk about how an artist's organization chooses a jury and what they expect from their jurors. Jerry Allen Gilmore, juror for many of the nation's best art fairs: with an MFA in painting and drawing he has had a career both as an artist, exhibiting internationally, and as an arts administrator in Colorado. Currently he is concentrating on curatorial projects, artist portfolio reviews, jurying for regional and national art institutions and on his own artwork. We'll talk about:
    how to choose a jury, qualifications, diversity, experience demands on the jury how they showcase the applications jury instruction different kinds of jurying jury experiences and recommendations what your jury fee is buying you

  • 01:01

    High Winds, Liability, Flying Tents and Art Fairs

    in Art

    Everything an Artist Needs to Know about Insurance
    Art fairs can be a dangerous business fraught with problems of high winds, theft, traveling with artwork, liability issues, damages to equipment and accidents of all kinds.
    Valerie Bjarnson, Director of Online Programs for Veracity Insurance Solutions whose innovative insurance programs have made reasonably priced insurance available to artists, joins Connie Mettler to discuss why an artist needs liability insurance.
    We'll discuss
    liability issues bodily injury and property damage weather related losses theft and the best way insurance can keep protect you and your livelihood whether you only do a few shows a year or are a full time art fair traveler participating in more shows than you can remember.
    Get definitive answers for all your insurance questions and learn more: www.ACTinspro.com.

  • 00:56

    Artists Running Art Fairs: Bonnie Blandford & Carla Fox

    in Art

    Jewelers Bonnie Blandford, in Michigan, and Carla Fox, in Oregon, are artists who organize popular annual art fairs in Kalamazoo and Bend, respectively.
    Join us as we learn about their passion to create a marketplace where their fellow artists can sell their work. How do these women do it all? Create distinctive one of a kind work, travel to art fairs and host events for their peers?
    Pick up tips on how you can do this in your community.

  • 00:59

    Beating the Odds - Artists at the Nation's Top Art Fairs

    in Art

    Connie Mettler will be speaking with
    Kathrine Allen-Coleman, a painter from Georgia who participated in Coconut Grove, Reston, Old Town, Columbus, Des Moines, Ann Arbor Street Art Fair and more Andrew Shea, a glass blower from Minnesota who was in Belleville, Old Town, Des Moines, Madison, Uptown, Port Clinton, Saint Louis and more Bruce Reinfeld, a photographer from Philadelpia who was Columbus, Des Moines, Cherry Creek, Plaza and more All of these artists had "dream" schedules in 2011. Join us as we talk about their experiences, how they manage to have such a great track record getting the top shows and their 2012 plans.

  • 01:01

    Keep them Coming Back - Marketing to the Art Fair Patron

    in Business

    The interested parties have come to your party: that Art Festival you have been planning and marketing for 364 days. How do you make sure they love the show, bring their friends, buy art, spread the word about what they found there and can't wait for next year?

    Sharon McAllister, Executive Director of ArtFest Fort Myers (FL) and Jenny Wright, Festival Director of The Woodlands Waterway Arts Festival (TX) join the conversation and share their best tips for building a memorable experience for their patrons.

    We'll learn about their decisions on:

    public relations
    community relations
    sponsor building
    artist relationships
    plus what works and even more interestingly what they've done that doesn't work!

    Connie Mettler presents results from her 2014 Best Art Fair Survey of art fair buyers where she gathered data about what makes them come to a festival and why ... plus ... why there are formerly favorite shows that they no longer attend.

    Both of these events were chosen as Top 50 Events in the survey.

    Learn more about ArtFest Fort Myers. Learn more about The Woodlands Waterway Arts Festival.












  • 00:59

    Creating a Quality Festival in the Piedmont: Artisphere

    in Business

    When a city's largest employers pull out and the population begins to decline what do you do? Find new corporations, preserve the downtown, improve the quality of life by improving the schools, rebuild neighborhoods and focus on becoming one of the "Top 100 Arts Small Towns in the United States." 


    Enter Artisphere, now in its 12th year and awarded Top 20 event out of the "100 Best" Art Shows in the country by Sunshine Artist Magazine, a Top 10 Fine Arts and Fine Craft festival by the Art Fair Sourcebook, and #3 out of 20 finalists in USA Today's 10 Best Reader's Choice Award for Best Art Festival and listed in ArtFairCalendar.com's Best Art Fairs in America.

    Kerry Murphy, Executive Director of Artisphere and Liz Smith, Program Director,  join us to share their experiences.

    We'll talk about how a city in the rural South, half way between Atlanta and Charlotte, attracts the nation's top artists and why those artists apply again and again to be part of the event. 
    How a fine art event is "sold" to the town and how they attract buyers.
    The organizational structure of the event, recruiting working board members who expand the reach of the festival.











  • 02:05

    Art Of War

    in Education

     The power of Art / Art as a weapon

    Sol is a artist with a vision, therefore he is a visual artist. He prides himself as being one that pushes the envelope as it pertains to the traditional sense of what a artist should or should not be. He pushes the envelope on what a artist should or should not do as well. Under the fold of the EyEcOnOgRaPhY movement Sol specializes in creative imagery, mixed media art, collages, street photography, graffiti art, and custom portrait framed artwork with a twist. At the very core of his work is the ability to enhance and recapture the moving parts, the pulse, the heartbeat of vintage antique images. Family images, loved ones, lost ones, not necessarily the "celebrity" but the EyEcOnS of your own lineage. To find greatness one only has to travel as far as that old worn family photo album located in the closet, basement, or garage collecting dust. We are all EyEcOnS for we are all direct descendants of EyEcOnS. With that being the case, BE FRUITFUL AND MULTIPLY! Join Us as we welcome special guest Sol Ra El Bey to our radio show as he expounds on why and how art is a weapon. Call in at 323-870-3897 or login at www.blogtalkradio.com/usot

  • 02:20


    in Social Networking

    Maria Iliou is your Director Manager, your Host for Art of Understanding on Friday's.