Stuff Tina Turner, Rage Against The Machine, and Alanis Morrisette into an industrial-grade mixer and crank the sumbitch up to 12. Add a fifth of Hennessey, light up a Newport and watch the roof explode.
Unmeasurable energy. Enormous passion and power. A phenomenal set of pipes. These are the qualities that have attracted collaborators like Big Proof of D12 (who gave Steffanie her nickname Steff Chris), and producer Emanuel (Eman) Kiriakou. They are on display when she opens for artists like Taproot and Thousand Foot Krutch, Erykah Badu, and Talib Kweli. They are the reason shes the secret weapon of jessica Care moores Black Women Rock revues, where she routinely holds her own on stage with rock goddesses like Tamar Kali, Res, Joi, and Dionne Farris.
I can sing anything, but I make rock and roll music, Steffanie says. I already know I don't fit into your mold. I am not here to fit into it. I was born and raised to break it!
On her debut album, Way Too Much, Steffanie Christian gives you more in-your-face, Detroit rock and roll than you can handle. Shell leave you spent, exhausted, and mesmerized, motionless on the floor, begging for one more hit.
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