Joe Milford Show  

Clayton Eshleman (born June 1 1935) is an American poet, translator, and editor. Eshleman has been translating since the early 1960s. He is the recipient (with José Rubia Barcia) of the National Book Award in 1979 for his co-translation of César Vallejo's Complete Posthumous Poetry. He has also translated books by Aimé Césaire (with Annette Smith), Pablo Neruda, Antonin Artaud, Vladimir Holan, Michel Deguy and Bernard Bador. In 2006, a translation of The Complete Poetry of Cesar Vallejo, with an introduction by Mario Vargas Llosa, was published to much acclaim, won the 2008 Harold Morton Landon Translation Award from the Academy of American Poets, and was shortlisted for the 2008 International Griffin Poetry Prize. Recent publications include Reciprocal Distillations (Hot Whiskey Press, 2007), a collection of poems on art and artists, including Caravaggio, Leon Golub, Unica Zürn, Henri Michaux, Corot, Joan Mitchell, Henry Darger, African sculpture, Neolithic standing stones, and the Upper Paleolithic Chauvet Cave; and An Alchemist with One Eye on Fire (Black Widow Press, 2006). Eshleman founded and edited two of the most seminal and highly-regarded literary magazines of the period. Twenty issues of Caterpillar appeared between 1967 and 1973. In 1981, while Dreyfuss Poet in Residence at the California Institute of Technology, Eshleman founded Sulfur magazine. Forty-six issues appeared between 1981 and 2000, the year its final issue went to press. Eshleman describes his experience with the journal in an interview which appeared in an issue of Samizdat (poetry magazine).[1] Sometimes he is mentioned in the company of the "ethno-poeticists" associated with Jerome Rothenberg, including: Armand Schwerner, Rochelle Owens, Kenneth Irby, Robert Kelly, Jed Rasula, Gustaf Sobin, and John Taggart. Over the course of his life, his work have been published in over 500 literary magazines and newspapers, and he has given readings at more than 200 universities. He is now

Clayton Eshleman (born June 1 1935) is an American poet, translator, and editor. Eshleman has been translating since the early 1960s. He is the recipient (with José Rubia Barcia) of the National Book Award in 1979 for his co-translation of César Vallejo's Complete Posthumous Poetry. He has also translated books by Aimé Césaire (with Annette Smith), Pablo Neruda, Antonin Artaud, Vladimir Holan, Michel Deguy and Bernard Bador. In 2006, a translation of The Complete Poetry of Cesar Vallejo, with an introduction by Mario Vargas Llosa, was published to much acclaim, won the 2008 Harold Morton Landon Translation Award from the Academy of American Poets, and was shortlisted for the 2008 International Griffin Poetry Prize. Recent publications include Reciprocal Distillations (Hot Whiskey Press, 2007), a collection of poems on art and artists, including Caravaggio, Leon Golub, Unica Zürn, Henri Michaux, Corot, Joan Mitchell, Henry Darger, African sculpture, Neolithic standing stones, and the Upper Paleolithic Chauvet Cave; and An Alchemist with One Eye on Fire (Black Widow Press, 2006). Eshleman founded and edited two of the most seminal and highly-regarded literary magazines of the period. Twenty issues of Caterpillar appeared between 1967 and 1973. In 1981, while Dreyfuss Poet in Residence at the California Institute of Technology, Eshleman founded Sulfur magazine. Forty-six issues appeared between 1981 and 2000, the year its final issue went to press. Eshleman describes his experience with the journal in an interview which appeared in an issue of Samizdat (poetry magazine).[1] Sometimes he is mentioned in the company of the "ethno-poeticists" associated with Jerome Rothenberg, including: Armand Schwerner, Rochelle Owens, Kenneth Irby, Robert Kelly, Jed Rasula, Gustaf Sobin, and John Taggart. Over the course of his life, his work have been published in over 500 literary magazines and newspapers, and he has given readings at more than 200 universities. He is now

Laura McCullough’s second collection of poems, WHAT MEN WANT, is forthcoming from XOXOX Press (Nov. 2008) with blurbs by Hilda Raz, Denise Duhamel, and Kurt Brown, and her third, SPEECH ACTS, is forthcoming from Black Lawrence Press. Her first, now out of print, THE DANCING BEAR, debuted in 06 with jacket blurbs by Stephen Dunn, Li-young Lee, and BJ Ward. In 07, Mudlark published her chapbook of prose poems, ELEPHANT ANGER, and she won her second NJ State Arts Council Fellowship, this time in poetry; the first was in prose. She has an MFA in fiction from Goddard College. In 07, she attended the Summer Solstice Writers Conference, went to Bread Loaf again as part of the Social Staff, attended the Colrain Poetry Manuscript Conference and the Vermont Studio Center. Her work has appeared recently or is forthcoming in The American Poetry Review, Prairie Schooner, Guernica, Crab Orchard Review, Tusculum Review, Hanging Loose, Pebble Lake Review, The Hiram Poetry Review, Gargoyle, Iron Horse Quarterly, The Hiss Quarterly, The Pedestal, The Potomac, Nimrod, Boulevard, Tattoo Highway, Gulf Coast, Guernica, Hotel Amerika, Poetry East, The Portland Review, and others. Her book reviews have appeared in such places at Webdelsol Review of Books, The Potomac, and Small Spiral Notebook. Laura is a doctoral candidate in poetry at the University of Essex where she is working on a dissertation on the development of mind in the writings of Stephen Dunn and his poetic lineage of Frost, Stevens, and Justice.