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Literary Diva

Epic Poetry in the world of literature is dramatic, long, themed, magestic and fabulous! Walt Whitman is truly one of the world's most notable poets. Known for his lyrical style and a master at epic poetry. He was determined to make in the world of literature as a poet. His book "leaves of grass" is known as striking masterpiece.


Here are two poems by Walt Whitman:

SPONTANEOUS ME

Spontaneous me, Nature,   
The loving day, the mounting sun, the friend I am happy with,   
The arm of my friend hanging idly over my shoulder,   
The hill-side whiten’d with blossoms of the mountain ash,   
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark green,
The rich coverlid of the grass—animals and birds—the private untrimm’d bank—
     the primitive apples—the pebble-stones,   
Beautiful dripping fragments—the negligent list of one after another, as I happen to call
     them to me, or think of them,   
The real poems, (what we call poems being merely pictures,)   
The poems of the privacy of the night, and of men like me,   
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty, lurking,
     masculine poems;)   
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,   
Arms and hands of love—lips of love—phallic thumb of love—breasts of
     love—bellies press’d and glued together with love,   
Earth of chaste love—life that is only life after love,   
The body of my love—the body of the woman I love—the body of the man—the body of
     the earth,
Soft forenoon airs that blow from the south-west,   
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
     lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds himself 
     tremulous and tight till he is satisfied,   
The wet of woods through the early hours,   
Two sleepers at night lying close together as they sleep, one with an arm slanting down across
     and below the waist of the other,   
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,   
The dead leaf whirling its spiral whirl, and falling still and content to the ground,   
The no-form’d stings that sights, people, objects, sting me with,   
The hubb’d sting of myself, stinging me as much as it ever can any one,   
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be intimate where
they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of flesh
     where the fingers soothingly pause and edge themselves,   
The limpid liquid within the young man,   
The vexed corrosion, so pensive and so painful,   
The torment—the irritable tide that will not be at rest,   
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes,   
The young man that wakes, deep at night, the hot hand seeking to repress what would master
     him; The mystic amorous night—the strange half-welcome pangs, visions, sweats,   
The pulse pounding through palms and trembling encircling fingers—the young man all color’d,
     red, ashamed, angry;   
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never turning
     her vigilant eyes from them,   
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts;   
The continence of vegetables, birds, animals,   
The consequent meanness of me should I skulk or find myself indecent, while birds and animals
     never once skulk or find themselves indecent;   
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters,   
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce boys to
     fill my place when I am through,   
The wholesome relief, repose, content;   
And this bunch, pluck’d at random from myself;   
It has done its work—I tossed it carelessly to fall where it may. 





















TO YOU





Whoever you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands, Even now your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true soul and body appear before me, They stand forth out of affairs, out of commerce, shops, work, farms, clothes, the house, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem, I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb, I should have made my way straight to you long ago, I should have blabb'd nothing but you, I should have chanted nothing but you. I will leave all and come and make the hymns of you, None has understood you, but I understand you, None has done justice to you, you have not done justice to yourself, None but has found you imperfect, I only find no imperfection in you, None but would subordinate you, I only am he who will never consent to subordinate you, I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups and the centre- figure of all, From the head of the centre-figure spreading a nimbus of gold-color'd light, But I paint myriads of heads, but paint no head without its nimbus of gold-color'd light, From my hand from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are, you have slumber'd upon yourself all your life, Your eyelids have been the same as closed most of the time, What you have done returns already in mockeries, (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you, Underneath them and within them I see you lurk, I pursue you where none else has pursued you, Silence, the desk, the flippant expression, the night, the accustom'd routine, if these conceal you from others or from yourself, they do not conceal you from me, The shaved face, the unsteady eye, the impure complexion, if these balk others they do not balk me, The pert apparel, the deform'd attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you, There is no virtue, no beauty in man or woman, but as good is in you, No pluck, no endurance in others, but as good is in you, No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one except I give the like carefully to you, I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at an hazard! These shows of the East and West are tame compared to you, These immense meadows, these interminable rivers, you are immense and interminable as they, These furies, elements, storms, motions of Nature, throes of apparent dissolution, you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles, you find an unfailing sufficiency, Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself, Through birth, life, death, burial, the means are provided, nothing is scanted, Through angers, losses, ambition, ignorance, ennui, what you are picks its way.


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