the great blueness begins to rise taking a deep breath preparing to throw itself at the Sand as the swell becomes more pronounced the wave-top begins moving faster than the bottom transforming what appeared as a blue hill into a fluidly translucent blue-green wall
a hairy clump of kelp drawn upward as the wave begins to crest appears to be suspended in space as the frozen moment thaws the ball of tangled strands is freed looking for all the world like the head of some Atlantean Medusa whose gaze turns to stone not flesh, but time
the blue-greeness tumbles into foamy white chaos while roaring its disapproval with a voice that finally fades into a pleading hiss which calls for the water to retreat so it slips back upon itself leaving the Sand smooth, and (if the bits of glass and bottlecaps are ignored) pristine
the shore appears renewed by the joyous rushing up and the burdened slipping away heavy with footprints and sandcastles that no longer solely mark a person's presence or passage chased as if they were pieces-of-eight and not the worthless spoils of a war as old as water
the succession of wavesbecomes a parade of invading armies that are sacrificed to the foamy whitenesswhich is all that remainsof the Sea's rageat losing yet another skirmishin an endless battlewaged by wateragainst the boundaries imposed by the shore
it is the Sand that stuff whose grainy passivity serves to provide an acceptable illusion that dares the Sea to dump its anger that silently conceals reality while covering up forever the true nature of the Sea and its containment and smothering all that is left of the world until finally there are no distractions
there is just the Sea and there is only the Sand and of course, a war as old as water
9-20-92 mag
(i am the Sand)
(C)1993 charles altvater