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As a first--class Visual Effects Editor, Mitch Glaser is proud to have helped countless filmmakers bring their vision to life as creative storyteller and all--round technical expert. Mitch’s extensive experience assembling complex visual--effects scenes from storyboards, animatics and pre--vis to finessing the final cut sequences has earned a place for him as a key member of both the Editorial and Visual Effects creative teams. Mitch’s visual--effects editing career took off and he has since had the opportunity to work on many great projects at Digital Domain and ScanLine VFX, as well as Relativity Media, HBO and 20th Century Fox. His time at Digital Domain included the projects “Flags of Our Fathers” and “Letters from Iwo Jima” that provided the opportunity to work with Clint Eastwood and his team. This introduction led to another of Clint’s films and an opportunity to work with his creative team and Mitch’s colleagues at Scanline on the massive tsunami sequence of "Hereafter.” Mitch played a key role in cutting the final sequence.Among other outstanding moments is HBO's "The Pacific,” developed by Tony To. The 10--Part Series had approximately 1,200 shots with plenty of VFX scene development, shot turnovers and final note contributions. Ridley Scott’s "Prometheus," Mitch’s latest achievement where he worked with Ridley Scott and Aand worked on over 1,300 shots and several sequences. You can email your questions to firstname.lastname@example.org Link: www.123FilmEasy.com. Follow us on Twitter @123Film
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